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Introduction

Exhibition

中華民國第十九屆國際版畫雙年展 International Biennial Print Exhibit: 2020 R.O.C.

Curator

國立臺灣美術館

Duration

2020-07-24 ~ 2020-09-27

Venue

國立臺灣美術館｜102、202展覽室

Address

臺灣40359臺中市五權西路一段2號 No. 2, Sec. 1, Wu-Chuan W. Rd., Taichung 40359 TAIWAN, R. O. C.

「中華民國國際版畫雙年展」於1983年開辦，是臺灣第一個以雙年展形式創設的開放型競賽展覽，也是國際歷史悠久的競賽型版畫雙年展之一，本雙年展辦理宗旨在於透過國際徵件競賽與展出，建立版畫藝術的交流平台，網羅世界各地優秀及具創意發揮的版畫作品，豐富版畫藝術的多元發展並促進版畫藝術的創作風氣，歷年舉辦以來獲得國際版畫藝術家的熱烈迴響與支持，也漸漸成為國際間受到矚目的版畫藝術交流盛事之一。 本屆「中華民國第十九屆國際版畫雙年展」共有來自80個國家1220位藝術家報名參賽，歷經初複審作業，選出共計40國164件作品，其中包含金、銀、銅牌獎各1名、評審團特別獎2名、優選5名、佳作5名的得獎作品。15件得獎作品中，包括來自臺灣、日本、泰國、印度、馬來西亞、波蘭、塞爾維亞、阿根廷及哥倫比亞等多國的版畫創作者，呈現出不同文化脈絡下版畫藝術的豐富多元風貌。此次得獎與參賽作品在技法、主題、文化脈絡上形式多元，創作者以自身生活經驗與其養成的文化底蘊詮釋各種議題，亦以積極態度回應當下社會現象和所處環境，諸如對自然生態環境、社會脈動的反思與關懷，個人精神世界的表達及探索，對時空或本質問題的省思及叩問，融合形象式語彙的感悟與傳達，不僅開拓本展的深度與廣度，在今（2020）年全球面臨新冠肺炎疫情襲擊的此時，藝術家們利用版畫創作所銘刻下的時代記憶與心靈圖像，更顯深刻而別具意義。 The International Biennial Print Exhibit: R.O.C., inaugurated in 1983, is the first biennial-style exhibition organized as an open competition in Taiwan and one of several international competition-com-biennials for printmaking boasting a long history. The biennial aims to bring together outstanding and creative print arts worldwide by establishing a platform for exchange through an open-call international competition and exhibition, thereby enriching diverse development in the print arts and fostering its growth. The event owes its success to enthusiastic response and support from international printmakers and has evolved into a celebrated occasion for international exchange in the print arts community. Entries by 1220 artists from 80 countries were received at this edition. After two rounds of jury review, 164 submissions from 40 countries have been selected, including one Gold, Silver and Bronze Prize each, 2 Special Jury Prizes, 5 Merit Prizes and 5 Honorable Mentions. The 15 winning works entered by artists from countries including Taiwan, Japan, Thailand, India, Malaysia, Poland, Serbia, Argentina and Columbia represent a broad spectrum of print arts with different cultural contexts. These spectacular winning and nominated works, varying widely in technique, theme and cultural context. In addition to interpreting a myriad of topics grounded on their personal experience and cultural background, these artists also strive to proactively address social phenomena and their surrounding environments, be it through introspection and concern about natural, ecological or social circumstances, expression and exploration of personal spiritual realms, or contemplation and questioning of spatiotemporal or intrinsic issues. Their reflection and articulation fusing figurative lexicons have contributed to the breadth and depth of this exhibition. In particular, the memories and mental images imprinted by these artists during the year 2020 of global COVID-19 pandemic shall prove especially profound and meaningful.

Explore Works

more works
〈衝進未知〉Charge into the Unknown

#1

〈衝進未知〉Charge into the Unknown
小花春夫 Dan OBANA
〈船〉The Boat

#2

〈船〉The Boat
亨利克・克羅利科夫斯基 Henryk KROLIKOWSKI
〈煙霧中〉In the Smoke

#3

〈煙霧中〉In the Smoke
李迪權 LEE Tek-Khean
〈記得我〉Remember Me

#4

〈記得我〉Remember Me
玉分昭光 Akimitsu TAMAWAKE
〈奧茲曼迪亞斯〉Ozymandias

#5

〈奧茲曼迪亞斯〉Ozymandias
齊山努波・浦雷弗拉齊庫 Chisanuphol PRESANVORAKITKOOL
〈空氣建築計畫（第二階段）〉Project for an Architecture of Air (Stage 2)

#6

〈空氣建築計畫（第二階段）〉Project for an Architecture of Air (Stage 2)
奧倫多・馬第尼斯・維斯加 Orlando MARTINEZ VESGA
〈寄生性〉Parasitism

#7

〈寄生性〉Parasitism
安納特・孔韋勒 Amnat KONGWAREE
〈存在-W#3〉Existence-W#3

#8

〈存在-W#3〉Existence-W#3
金炫辰 KIM Hyun-Jin
〈遠遠關注著〉Attentiveness from Afar

#9

〈遠遠關注著〉Attentiveness from Afar
王亭喧 WANG Ting-Shiuan
〈關係〉Relationship

#10

〈關係〉Relationship
金圖・莫漢・卡利塔 Jintu Mohan KALITA
〈衝進未知〉Charge into the Unknown

#1

〈衝進未知〉Charge into the Unknown
小花春夫 Dan OBANA
〈船〉The Boat

#2

〈船〉The Boat
亨利克・克羅利科夫斯基 Henryk KROLIKOWSKI
〈煙霧中〉In the Smoke

#3

〈煙霧中〉In the Smoke
李迪權 LEE Tek-Khean
〈記得我〉Remember Me

#4

〈記得我〉Remember Me
玉分昭光 Akimitsu TAMAWAKE
〈奧茲曼迪亞斯〉Ozymandias

#5

〈奧茲曼迪亞斯〉Ozymandias
齊山努波・浦雷弗拉齊庫 Chisanuphol PRESANVORAKITKOOL
〈空氣建築計畫（第二階段）〉Project for an Architecture of Air (Stage 2)

#6

〈空氣建築計畫（第二階段）〉Project for an Architecture of Air (Stage 2)
奧倫多・馬第尼斯・維斯加 Orlando MARTINEZ VESGA
〈寄生性〉Parasitism

#7

〈寄生性〉Parasitism
安納特・孔韋勒 Amnat KONGWAREE
〈存在-W#3〉Existence-W#3

#8

〈存在-W#3〉Existence-W#3
金炫辰 KIM Hyun-Jin
〈遠遠關注著〉Attentiveness from Afar

#9

〈遠遠關注著〉Attentiveness from Afar
王亭喧 WANG Ting-Shiuan
〈關係〉Relationship

#10

〈關係〉Relationship
金圖・莫漢・卡利塔 Jintu Mohan KALITA
〈衝進未知〉Charge into the Unknown

#1

〈衝進未知〉Charge into the Unknown
小花春夫 Dan OBANA
〈船〉The Boat

#2

〈船〉The Boat
亨利克・克羅利科夫斯基 Henryk KROLIKOWSKI
〈煙霧中〉In the Smoke

#3

〈煙霧中〉In the Smoke
李迪權 LEE Tek-Khean
〈記得我〉Remember Me

#4

〈記得我〉Remember Me
玉分昭光 Akimitsu TAMAWAKE
〈奧茲曼迪亞斯〉Ozymandias

#5

〈奧茲曼迪亞斯〉Ozymandias
齊山努波・浦雷弗拉齊庫 Chisanuphol PRESANVORAKITKOOL
〈空氣建築計畫（第二階段）〉Project for an Architecture of Air (Stage 2)

#6

〈空氣建築計畫（第二階段）〉Project for an Architecture of Air (Stage 2)
奧倫多・馬第尼斯・維斯加 Orlando MARTINEZ VESGA
〈寄生性〉Parasitism

#7

〈寄生性〉Parasitism
安納特・孔韋勒 Amnat KONGWAREE
〈存在-W#3〉Existence-W#3

#8

〈存在-W#3〉Existence-W#3
金炫辰 KIM Hyun-Jin
〈遠遠關注著〉Attentiveness from Afar

#9

〈遠遠關注著〉Attentiveness from Afar
王亭喧 WANG Ting-Shiuan
〈關係〉Relationship

#10

〈關係〉Relationship
金圖・莫漢・卡利塔 Jintu Mohan KALITA

About Curation

more description
國立臺灣美術館

Curator

國立臺灣美術館

國立臺灣美術館於民國77年（1988年）開館。以視覺藝術為主導，典藏並研究臺灣現代與當代美術發展特色，致力於多樣性的主題規劃特展與藝術教育推廣活動，提供民眾多元化欣賞藝術的環境。 以臺灣美術為研究核心，本館以建構臺灣美術史的詮釋內容與詮釋體系，開拓對美術發展現象及議題的多面向探討，創造數位及跨領域藝術發展之平臺，以擴大與國際相關藝術機構對話的空間，結合典藏、展覽、推廣等功能，打造兼具專業性、教育性與未來發展性的公共美術館。 依據三大核心主軸：「臺灣美術發展脈絡」、「媒材類別發展脈絡」、「藝術家風格與系譜」，本館研究調查國內外藝術生態與發展，近年並兼顧亞洲藝術家作品典藏，期能深化臺灣與亞洲當代藝術發展研究，拓展臺灣藝術與國際接軌的面寬和能量。累積的藏品，是建構臺灣美術史發展脈絡與研究藝術家風格表現之重要資產，亦可視為臺灣各時期社會脈動、經濟與文化發展樣貌的縮影。 本館並肩負守護臺灣美術資產的重任，建置圖像與文字豐富的多元資料庫，強化以資訊科技輔助藏品之自動化管理與服務機制，守護且活用本館所典藏的藝術資產，成為國家文化競爭力的資本與全民共享的資源。 作為國家級美術館，以展現臺灣藝術創作的特色與發展自許；在文化交流上，則強化館際合作並與國際接軌，加強與國內、外美術館和專家學者的共同合作，規劃具有啟發視覺文化理解、分享藝術價值的展覽活動；同時以多元化的推廣藝術教育活動，讓民眾了解藝術的精華，提升國家文化藝術的內在精神與涵養。

Artist

小花春夫 Dan OBANA (日本 Japan)

金牌獎Gold Prize

Artist

亨利克・克羅利科夫斯基 Henryk KROLIKOWSKI (波蘭 Poland)

銀牌獎 Silver Prize

Artist

李迪權 LEE Tek-Khean (馬來西亞 Malaysia)

銅牌獎 Bronze Prize

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