年代: 2019
媒材: 攝影數位輸出 / Digital photograph
尺寸: 154.2x192.7cm
藝術家劉文瑄的創作形式與媒材相當多元，在平面與立體、繪畫與影像間，進行各種翻轉與擾動的藝術實驗，探索不同空間維度的可能性。作品〈之間：消波塊．鳳林〉是2019年發表的地景塗畫攝影系列，也是劉文瑄至今創作中最大尺幅的紀實攝影作品。拍攝地點在花蓮的鳳林，遍佈在消波塊上的白色方塊，看起來彷彿是使用Photoshop繪圖軟體疊加的圖層，實際上，那是劉文瑄與助理花費許多時間在現場親手布置的成果。此系列特別邀請攝影師鍾順龍跨刀合作，以傳統4x5蛇腹相機長時間曝光的手法進行拍攝，極力追求畫面上所有細節的清晰度，展現出既真實又抽象的視覺效果。
Liu Wen-Hsuan (Mia Liu) works with a great diversity of creative forms and media, and she likes to conduct various artistic experiments that flip and shuttle between graphic and three-dimensional, painting and photography, and so on, as they explore possibilities of different spatial dimensions. In Between: Dolosse · Fenglin is part of a landscape painting and photography series completed in 2019; this is also the largest documentary photography that Liu has created to date. The shooting location was in Fenglin, Hualien County, and the white squares scattered over the concrete tetrapods (widely used as breakwaters in Taiwan) look as if they were superimposed on the image with Photoshop software. In fact, they were the result of Liu and her assistants spending a lot of time at the site setting up the scene. For this series Liu especially invited the photographer Chung Shun-Lung to collaborate with her. He used an old-fashioned 4 x 5 folding camera with a long exposure time, striving to capture the clarity of all details and show both the realistic and abstract visual effects.
