年代: 2019
媒材: 單頻道錄像（彩色，有聲）/ Video (color, sound)
尺寸: 4'00''
藝術家洪譽豪的創作與萬華的生活空間有密切的關聯，作品〈巡者II〉與前作〈巡者〉的創作脈絡相互呼應。〈巡者〉透過空拍展示了萬華青山王出巡所繞境的街道，而〈巡者II〉更進一步透過3D掃描技術，將萬華的商鋪、行人、繞境的人群與祭典人員，轉化為數位點陣。這一個個的電腦亮點，組合成如雲般的影像，以燈箱打亮後，觀眾能看見點雲所構築的，萬華青山王遶境的熱鬧氣氛。透過鏡頭視角移動，將觀眾拉進祭典空間中，巡者不只代表了祭典的參與者，也是藝術家與觀眾的化身，巡行著街區、信仰以及文化的核心。
Hung Yu-Hao’s artworks are closely related to the living spaces of Wanhua District. The context for the creation of Drift II echoes that of his earlier Drift. While Drift had used aerial photography to show the streets where the deity, the King of Qingshan, makes his tour of inspection, Drift II uses 3D scanning technology to capture Wanhua’s shops, pedestrians, crowds of worshippers around the god’s tour of inspection, and ceremonial personnel, all converted into a digital dot matrix. These computer highlights are then combined into cloud-like images. After it is illuminated through a light box, viewers can see the lively atmosphere of Wanhua, built up through a point cloud, as the King of Qingshan tours his domain. Moving through the camera’s perspective, the audience is drawn into the festival’s space. The “Drift” not only represents the festival participants, but also embodies the artist and audience as they circulate through the district’s core of belief and culture.
