張明曜是台灣視覺藝術家，過去以實體創作為主，現在積極投身非同質化代幣的鑄造，在人工智慧生成網站Pixray的協助下，完成大量作品。「最後的晚餐」為其著力甚深的系列，以特殊身段活動的經典人物在此被重新扭曲，賦予鮮豔的紋路。〈最後的晚餐：修復〉則呈現反覆調校、以原作為依歸而不可得的過程，在機器的凝視和佈署下，新世紀的門徒改頭換面，恐怖又瑰麗。
“Last Supper” is a series in which he invested much of his efforts. The classical figures in special postures are reorganized and bestowed with colorful patterns in the series. Last Supper: Restored demonstrates the failed process of repeated correction based on the original painting. Under the gaze of and through the deployment of machines, the disciples of the new century are transformed horribly yet gorgeously.
