1966
- Married Hsu Shou-Mei; instructed the film scores of Lady in the Tower, and played the music behind the scenes.
- (Picture 1) The Li couple photographed at Philadelphia Gardens.
- (Picture 2) The eldest son, Yiqing, 3-4 months old, with Li Tai-Hsiang‘s mother on the left.
- (Picture 3) Li Tai-Hsiang (the person with their back to the camera) returned to his hometown to conduct field music collection for the Taitung Harvest Festival.
1970
- Worked at Sing Ying Company, an advertisement agency, and composed music for advertisements.
1971
- Developed the “71 Music Festival” with Yeh Wei-Lien and others, which marked the birth of Taiwanese avant-garde music.
1972
- Formed a quartet with German Professor Wolfram König and others to tour Southeast Asia.
1973
- Researched and studied modern music at the University of California San Diego, USA.
1974
- Served as the conductor of the National Taiwan University Symphony Orchestra.
- (Picture 4) Served as the conductor of the Taiwan Provincial Symphony Orchestra to tour in Taiwan.
1975
- Worked as a full-time advertisement music composer; and released orchestral work “Phenomenon” on cassette tape.
- (Picture 5) Performed “Phenomenon” with the National Taiwan University Symphony Orchestra and the performance program.
1976
- The Sacrifice to God was rearranged into Wu Feng, a dance drama by Cloud Gate Company; released vocal work “Rain, Zen, Ximending” on cassette tape; organized the 1st “Visions Springing Up from the Tradition,” and performed in “The Night of Chinese Folk Songs.”
- (Picture 6) Rehearsing “Recover Destiny” for the 2nd “Visions Springing Up from the Tradition.”
- (Picture 7) Li Tai-Hsiang‘s ink-wash paintings were one of his inspirations for writing “Phenomenon.”
1977
- Debuted “Pure Serene Music” in Tokyo.
- (Picture 8) After performing in Tokyo, Japan, with the American modern music master Terry Riley (1935- ), Li Tai-Hsiang attended a banquet and took a photo with geishas.
- (Picture 9) Program list for the “Await” chamber music ensemble concert.
1978
- The album Hometown was the first work that combined the style of traditional Taiwanese folk songs and that of Chinese folk songs with the syntax of pop music.
- (Picture 10) Album “Hometown”
