2025
約30mins
雙頻道有聲錄像
尺寸依場地而定
藝術家提供
你心中的母親與真實的母親距離有多遠？這樣的距離足以讓你們進行對話嗎？
兩位紀錄片導演依循著各自不同的路徑，試圖尋找「什麼是母女？」。像是兩方互視般，畫面的一端是一位母親正接受女兒抽絲剝繭的日常問答練習，在過往家庭影像與現今勞動身體之間，重新凝視母親；另一端則是出生於七〇到九〇年代的「女兒們」，重新回憶與母親相關的成長經歷，透過生理特徵及實體物件，嘗試勾勒母女關係的各種樣貌。「母親」與「女兒」在各自的景框中述說著，進行一場看似對位、實則交錯的對話。
在展間的你可以選擇坐在任意角度的椅子上觀看這場對話，脫離了180度角的直視，或許可以看見不一樣的「她」，也或許是為了尋找另一部分的自己。
*「正反拍」是一種電影拍攝方法，以攝影機分別拍攝兩個角色，透過剪輯，給予觀眾兩個角色面對面談話的錯覺。
How far is the gap between the mother you envision and the real mother? Is it close enough for a conversation?
Two documentary filmmakers explore "What is a mother-daughter relationship?" On one side, a mother answers her daughter’s probing questions, reexamining herself through past family footage and the present laboring body. On the other, daughters born in the 70s-90s reflect on their experiences with their mothers, using physical traits and objects to express their relationship. Both "mother" and "daughter" speak in their own frames, creating a dialogue that feels simultaneous yet intertwined.
In the exhibition space, you can choose any seat to view this dialogue. Moving away from the direct 180-degree gaze, you may see a different side of "her," or perhaps search for another part of yourself.
*Inspired by the "Champ-Contrechamp" technique, where characters are filmed separately but seem to converse face-to-face through editing.
參與母親: 淑津
受訪女兒: Johan、王瑞璇 、洪筱婷、莎拉Q、楊子暄、蔡美妙
客廳影像提供: Johan、Faliyos Afiyaw、小寶、石城、花倫、佩芳、王振宇、 伍心瑜 、李佳泓、巫宗憲、林美如、洪四月、陳婉真、陳倢伃、楊子暄、廖建華、賴禾盈、蔡世宗、蔡美妙、蔡豐謙
Interviewee daughter: Johan, Carol WANG, Shiau-Ting HUNG, Saladq, Jessie YANG, MM Tsai
Living room image courtesy of Johan, Faliyos Afiyaw, Bao, Stone, Hua Lun, Panda, Chen-Yu WANG, Hsin-Yu WU, Chia-Hung LEE, Tzung-Shian WU, Beer LIN, April HUNG, Kite CHEN, Jie-Yu CHEN, Jessie YANG, Jian-Hua LIAO, He-Yin LAI, Shr-Tzung TSAI, MM TSAI, Feng-Chian TSAI
