作品名稱 Title:
The Original Soundtrack_剪輯城鎮的音像工場
The Original Soundtrack_Kinmen Soundscape Documentation & Archive Complex
指導老師 Adviser:
黃信穎
基地位置 Location:
金門/後浦
Houpu/Kinmen
作品介紹 Description:
「時代對於聲音的需求正在增加。」
從留聲機到藍芽耳機，聲音透過科技不斷加強聽覺的距離。而人們是否意識到這些「聲音」都是被選擇並加入當下的行為，成為他們在日常中的配樂。電影也具有相同的性質，這些聲音帶給電影情緒，成為附加於主體的聲音，稱為電影配樂。
而這些配樂如何被呈現與察覺，主體與附加之間的關係會是甚麼樣的狀態，我認為這對於一個因為生理結構所產生的「視覺邏輯」的環境，將是一個有趣的表達。
設計始初，透過設計實驗，試圖將議題的論述以多種分析與操作手法找尋對於議題的延伸方向與訂定操作方式。經由紀錄文本、譜記分類、譜記圖像、空間情境、空間譜記，作為操作資料庫再加入行為導向技術（機制）後將空間依照腳本排列。期望將空間的背景以聲音多軌的形式放大或是調低，並以電影產製的類同方式轉譯成建築作為主體，使用者與環境為主體以使用的聲響搭配。接著再以旅館為機能設定主題為雙層公寓，以此嘗試該議題與概念在建築空間操作的可能性。
「我始終相信，我們的耳朵引領我們的眼睛，去理解故事的發生場景。」–Steven Allan Spielberg
為了使聲音與場景之間的關係，能夠重新被感知與體驗並且成為記錄城鎮變化的觀看方式。試圖建立聲音的循環，將紀錄、收藏、聆聽作為空間機能的雛形，再加入日常的事件為劇場，唱片行為聆聽的場所。透過變更聲音的輸出源頭，將聲音與影像隨機搭配，使觀眾在聆聽與觀看的過程產生對於聲音描述的另類認知。最後，將觀眾導引至後浦老街的後巷空間，實際觀察居民的日常音像。
"The demand for sound in the times is increasing."
From the phonograph to the Bluetooth headset, the sound is constantly increasing the distance of hearing through technology. And do people realize that these "voices" are selected and added to the current behavior, and become their daily soundtrack. Films also have the same nature. These sounds bring emotions and imagination, which are called film soundtracks.
And how these soundtracks are presented and perceived, and what the state of the relationship between the subject and the attachment will be, I think this will be an interesting expression for an environment of "Visual Logic" generated by the physiological structure.
At the beginning of the design, through design experiments, I tried to find the extension direction of the issue and the way of setting the operation method through a variety of analysis and operation methods. After recording text, notation classification, notation image, spatial context, and spatial notation, it is used as an operational database and then behavior-oriented technology (a mechanism) is added to arrange the space according to the script. It is expected that the background of the space will be amplified or lowered in the form of multi-track sound and translated into the building as the main body in the similar way of film production, and the user and the environment are the main body to match the sound used. Then set the hotel as the program of the Terrace House, in order to try the possibility of the issue and concept in the architectural space.
"I always believe that our ears guide our eyes to understand the scene of the story. " -Steven Allan Spielberg
In order to make the relationship between the sound and the scene be able to be perceived and experienced again and become a way to record changes in the town. Trying to establish a sound loop, taking recording, collecting, and listening as the prototype of spatial functions, and adding daily events as a place for listening to the theater and recording behavior. By changing the sound output source, the sound and the image are randomly matched, so that the audience can have an alternative perception of sound description during the process of listening and watching. In the end, the audience is guided to the back alley of “Houpu Old Street” to actually observe the daily audio and video of the residents.
