「對於我所做的東西，我認為最重要的是——我想要成為第一個觀眾。」
"For everything I create, the most important thing is this: I want to be my own first audience."
成立於2018年的真真鑲嵌玻璃研究所，於2022年推出特展《Relight+NOISE _____ 直到我接近無限透明》，當時發表的錄像作品〈Relight+NOISE〉跳脫鑲嵌玻璃工藝 的實體性，從聽見玻璃中又增加了「看見玻璃」的體驗維度，以傳統老花窗玻璃創 造的五感沈浸式體驗，創作出白噪光音的閱讀方式。 工藝家張博傑使用攝影機的對焦與散焦，使得傳統花紋對於光的反應有如夢境般的 視覺效果，若即若離，影像也在眼中不斷地失焦、對焦，配合以黑膠唱針刮出花紋 本身的聲響，彷彿賦予了老花窗玻璃聲音與光景，如同海浪般有著韻律，又似白噪音一般，呼應張博傑透過投入長時間的鑲嵌玻璃工藝工作，在規律而重複的過程裡 進入猶如意識空白的心流，帶來穩定的狀態，也帶來療癒工藝家的力量。
Founded in 2018, ZhēnZhēn Stained Glass Lab unveiled its special exhibition “Relight+NOISE: Until I Approach Infinite Transparency” in 2022. Among the featured works, the video piece “Relight+NOISE” broke away from the physicality of stained-glass craftsmanship, introducing a new dimension of "seeing glass" alongside the auditory experience of "hearing glass." By using traditional stained-glass windows, it created an immersive sensory experience, presenting a way to "read" the interplay of white noise and light.
Artist Chang Po-Chieh employed the focus and defocus capabilities of a camera to generate dreamlike visual effects from the way traditional glass patterns react to light. The imagery dances between clarity and blurriness, continually shifting in and out of focus. This is paired with the sounds of a vinyl record needle scraping across the textured glass patterns, as if imbuing the vintage stained-glass windows with their own voices and scenery. These rhythmic and wave-like sounds echo white noise, reflecting Chang’s meditative experience during his prolonged work with stained glass. The repetitive and rhythmic nature of the craft leads to a state of flow—an almost blank consciousness—that provides both stability and a therapeutic energy for the artist.
張博傑 Chang Po-Chieh
真真鑲嵌玻璃研究所主理人-張博傑，1986年生，擁有建築與新媒體藝術背景，於從事當代新媒體藝術的旅程中，遇見古老的鑲嵌玻璃工藝，不僅積極與老師傅學習，亦投注個人大量的時間於研究與製作，在反覆手 做勞動的過程中，得到療癒自己的力量。 以臺灣早期生產的老花窗玻璃，逐漸摸索並找出當代鑲嵌玻璃工藝的價值，加入當代設計語彙以及賦予功能性，帶來其最具代表性的鑲嵌玻璃燈具，也發展出鑲嵌玻璃首飾、家飾品等，更橫跨工藝的實用性，從中不 間斷地進行跨域創新如臺中國家歌劇院駐館藝術家計劃《Relight+日_夢_遊》，未來以創藝者的身份持續 創作，作品〈Relight+NOISE〉首創結合重複性的白噪光與規律的玻璃白噪音，將療癒自身的力量也詩意分享。
Born in 1986, Chang Po-Chieh is the founder of ZhēnZhēn Stained Glass Lab. With a background in architecture and new media art, he discovered the traditional craft of stained glass while exploring contemporary art. Fascinated by this age-old technique, he apprenticed under experienced artisans and devoted countless hours to refining his skills. Through the repetitive handcrafting processes, Chang found both healing and solace.
Chang’s work breathes new life into early Taiwanese stained glass by blending it with modern design and functionality. He is best known for his stained glass lighting fixtures but has also expanded his creations to include jewelry, home decor, and innovative cross-disciplinary projects. During his residency at the National Taichung Theater, he developed Relight+Live Dream Walk, an acclaimed installation. Another standout piece, Relight+NOISE, combines mesmerizing light and glass effects with the unique sound produced by a vinyl stylus tracing etched patterns. This harmonious blend of sight and sound poetically captures the therapeutic and meditative essence of his craft.
