戰前準備─常陵個展｜Acerca de la curaduríaARTOGO

🙀

Este contenido aún no está disponible en tu idioma (Español )

Acerca de la curaduría

Expositor

台北當代藝術館 MoCA Taipei

台北當代藝術館是台灣第一座以當代藝術為導向的藝術專門機構，館舍原為日據時代的建成小學校，1945~93年間轉為台北市政府辦公廳舍。市府於1994年遷往信義計畫區新廈後，基於古蹟再利用之政策，於2001年5月將市府舊廳舍轉化為「台北當代藝術館」及建成國中之用，不僅是台灣第一座由古蹟轉型為美術館的成功案例，也是全台唯一與校園共構的藝文展館。自開館以來，在這個組合了古蹟建築與當代藝術、兼容了歷史記憶與當代文化的場域之中，展演著國內外最創新前衛的視覺造型、媒體科技、建築設計、時尚流行……等多元的藝術展演，刺激國內跨界域的創作火花，把創意帶進台北、把美感帶進社區、用日新月異的藝術展演創造歷史建築的新生命。 Opened in May 2001, the Museum of Contemporary Art (MoCA Taipei) is the first museum in Taiwan devoted entirely to contemporary art practice. Our mission is to provide access to contemporary art from Taiwan and around the world to an increasingly globally-oriented, technologically-savvy audience.The building which houses the museum is a designated Municipal Historical Relic. Built in the late 1920s, this Japanese colonial-style red brick structure served as an elementary school for two decades before a fifty-year stint as the site of the Taipei City Hall. MoCA Taipei exemplifies a coming together of contemporary art, historical architecture, and high technology – resulting from the joint efforts of the Taipei City Government, the local community, artists, and corporate supporters. As the world moves toward globalization, digitalization and technologically advancement – Contemporary Art provides an arena for artistic exchange and for the expression of cultural identity. From its inception, the museum has always recognized as main task to transcend the boundary that exist between art and the community at-large, constantly looking for new ways where art and the community interact, and striving to bring art beyond the confines of the museum walls and into the everyday lives of the community. MoCA Taipei will continue to move in this direction in the future. By stimulating inter-disciplinary creativity through multifarious and diverse artistic exhibition and performances, we hope to bring art into our community, and ultimately, to catalyze a spirit of innovation in the city of Taipei.

Expositor

策展人｜林郁晉 Lin Yu-Chin

出生於東港,成長於桃園,就讀於國立臺北藝術大學藝術跨領域研究所。透過當代藝術的展覽策劃、評論等方式討論歷史、時間及社會體制所帶給人們的諸多限制,並在其中試圖找尋某種自由的出口。近期重要策展包括「CommoningMusicStati(2022·mmer#m的巨愁(2021台北代藝術館)、「鏡水樓台」(2021·台灣代一年、群眾的國家馆:我們的世博OurExpo:ThUnofic World Expo Build-Off,杜拜)、「悍圖行動」(2021·福利社)。 Lin Yu-Chin was born in Donggang in Southern Taiwan and grew up in Taoyuan. He is currently pursuing a master’s degree at the Graduate Institute of Trans-disciplinary Arts, National Taipei University of the Arts. Through contemporary art curating, critiquing, and other methods, Lin engages in discussions on the limitations imposed on people by history, time, and social systems, as he seeks to discover in them some kind of outlet for freedom. Recent major exhibitions curated by Lin include The Hantoo Movement (FreeS Art Space,2021); Gazebo and the Water Mirror (Taiwan Annual and Our Expo: The Unofficial World Expo Build-Off, Dubai,2021); A Dark Cloud of Sorrow Looms Over (MoCA TAIPEI,2021); and Commoning Music Station (Summer School at documenta 15,2022).

Artista

藝術家｜常陵 Chang Ling

常陵.2004年畢業於法國國立巴黎高等藝術學院(Ecle NipidsxArsdsF2007年加入「悍圖社」擅以繪、裝置、行為等方式討肉身與社之間的關係,怪角度荒唐出不同階層的環境面相,碎片化的空間感與交錯臉孔,形成特異又扭曲的文化觀。近期展覽:「事件開花在時間不存在的瞬間」(2022·廊,上海)、「肉來閒」(2021·印象畫廊,臺北)、「大玄玄社會歷史日常」(2019・高雄市立美術館.高雄)、常陵一社會」(2019.畫廊,上海)。 Chang Ling graduated from the École Nationale Supérieure des Beaux-Arts de Paris in 2004 and joined the Hantoo Art Group in 2007. He specializes in using painting, installation, and performance art to explore the relationships between the corporeal body and society, as he uses peculiar perspectives and absurd approaches to display environmental features, a fragmented sense of space, and intersected faces to create unique and distorted cultural views. Some of Chang Ling’s recent exhibitions include It Blossomed in an Instant When Time Did Not Exist (Don Gallery, Shanghai, 2022) ; Idling (InSian Gallery, Taipei, 2021) ; Illusion Society—History of Ordinary Life (Kaohsiung Museum of Fine Arts, Kaohsiung, 2019) ; and Chang Ling - Illusion Society (Don Gallery, Shanghai, 2019).