緯線在經線之間上下穿梭、來回遊走，如日升月落般反覆循環。
在理應等距的間隙裡，
由於織者不可預期的邂逅，
因此在織面上形成了結、疏密、斷裂與起伏。
透過浸泡瓷漿、高溫燒結後，
纖維不復存在，最終成為經驗的文物。
然而，緯線依然在經線之間上下穿梭、來回遊走——
一位藝術家重複的動作。
Wefts travel through ups and downs and back and forth between the warps like sun rising and setting.
Threads are supposedly equidistant from each other,
but those unexpected encounters made by the weaver are transformed into knots, becoming ruptured threads and loose and dense waves of the weave.
Soaked by porcelain slip, sent into the kiln, threads no longer exist after high-temperature firing.
What is left of them, become artifacts of experience.
However, the weaver shuttles the wefts through and between the warps - an ultimate repetitive gesture of an artist.
