構樹代表了南島語系距今五千年的文化多樣性。以冓生拆解為「#再生」，創新古老樹皮工藝，結合金屬首飾，設計山海、森林與田原意象，賦予傳統工藝時尚再生的價值與意義。
系列介紹：
山Lutuk
以南島語山”Lutuk”命名。整體設計由肩膀的主峰延伸至胸口的平地，與身體結合呈現山的高低錯落。
設計者/楊旻馨
/
海 Liyal
以南島語海”Liyal”命名。利用交疊的染色樹皮與撕開的樹皮纖維，鑲嵌於波浪形狀的金屬框架上，呈現大海與白浪花的樣貌。
設計者：邱家榆
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森林Kilakilangan
以南島語森林”Kilakilangan”命名。利用抽摺技法，將樹皮縫製成樹葉狀，胸前的樹幹群延伸至頭頂上端的枝微末節，展現生機勃勃的森林。
設計者/黃俞熏
/
平原 Enar
以南島語平原”enar”命名。塊狀金屬框架內鑲有樹皮拼接成平原的樣貌，塊體的不同角度和高度展現出層次變化。
設計者/侯靖
構樹代表了南島語系距今五千年的文化多樣性。以冓生拆解為「#再生」，創新古老樹皮工藝，結合金屬首飾，設計山海、森林與田原意象，賦予傳統工藝時尚再生的價值與意義。
系列介紹：
山Lutuk
以南島語山”Lutuk”命名。整體設計由肩膀的主峰延伸至胸口的平地，與身體結合呈現山的高低錯落。
設計者/楊旻馨
/
海 Liyal
以南島語海”Liyal”命名。利用交疊的染色樹皮與撕開的樹皮纖維，鑲嵌於波浪形狀的金屬框架上，呈現大海與白浪花的樣貌。
設計者：邱家榆
/
森林Kilakilangan
以南島語森林”Kilakilangan”命名。利用抽摺技法，將樹皮縫製成樹葉狀，胸前的樹幹群延伸至頭頂上端的枝微末節，展現生機勃勃的森林。
設計者/黃俞熏
/
平原 Enar
以南島語平原”enar”命名。塊狀金屬框架內鑲有樹皮拼接成平原的樣貌，塊體的不同角度和高度展現出層次變化。
設計者/侯靖
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The papermulberry plays a crucial place and have a variety usage in the Austronesian language culture.
Gou sheng is deconstructed from the concept of "#nature rebuild" by using the ancient technique from old mulberry bark and combining metal jewelries to design the images of mountains,ocean,forests and fields.
Gou Sheng gives the traditional craft a fashionable and regenerative meaning and a new value.
Series of works:
“Lutuk” is named after the Austronesian language word “mountain.” The overall design extends from the main peak of the shoulders to the flat ground of the chest, associating with the human body to present the high and low mountains.
Designer / Yang,Min-Hsin
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Named after “Lyial”, the “ocean” in Austronesian, the headwear and necklace are made of crossed dyed bark and torn bark fibers. Set on the metal frame in shape of waves, the headwear and necklace could therefore present the image of ocean and white water.
Designer : Chiu,Chia-Yu
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“Kilakilangan” is named after the Austronesian language word “forest’’.The bark is sewn into a leaf shape by using the folding method, and the trunks on the chest extend to the branches on the top of the head. This design shows a vibrant image of forest. Designer/Huang,Yu-xun
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It is named after “enar”, which means “plain” in Austronesian. Tree bark pieces framed by metal blocks resemble plains landscape, and the difference of block levels shows the beauty of changeable nature.
Designer : Hou,Ching
