🌜 展覽介紹｜Objects, Lines, and Gradually Seeing Shadows🌛 攝影集《物件、線條、之後漸漸看見影子》所延伸出的展覽，將圖像、日記與聲音進一步轉化為空間敘事。展覽中提取了朱特旅居紐西蘭期間，所書寫的十二萬字日記中的十個章節，邀請十位演員、歌手、自媒體人以聲音詮釋其中某一日的記錄，並與影像作品一同佈置於展場。這些朗讀以錄音帶的形式置於空間角落名為「Diary Station」的展牆上構成另一種觀看節奏。展場內除了影像的安置，觀者也可以坐下來，翻閱十一本僅供展覽閱覽的日記小別冊，戴上耳機，聽見不同聲音詮釋其中的段落，聲音時而貼近，時而遠離，如同在黑暗中走進一間被時間與記憶建構起來的世界。整體展覽不刻意提供統一視角，而是試圖營造一種彷彿被宇宙包圍的沉靜空間。書寫與攝影不是為了再現經驗，而是保留經驗中尚未說明的部分。展場像是一座在異地建起的內心廟宇，有疏離的風景，也有難以命名的情緒；聲音、影像與紙頁彼此傾靠，也彼此留下空隙。在一張張照片、一頁頁日記與聲音之間，或許你會找到某種屬於自己的「好好經歷自己的人生」的方式。若不是那樣宏大的句子，也可能只是——咬下一口熱騰騰的派，說：「嗯，好吃。」 This exhibition extends from the photo book Objects, Lines, and Gradually Seeing Shadows, translating images, diaries, and voices into a spatial narrative. Ten chapters were selected from the 120,000-word journal Zhu kept during her time living in New Zealand. Each chapter is voiced by a different performer—actors, singers, or independent creators—who interpret one day’s entry in their own way. These recordings are presented on cassette tapes in a part of the exhibition called the Diary Station, offering a different rhythm of viewing alongside the photographs. Beyond the visual installation, viewers are invited to sit, read through eleven small diary booklets (available only on-site), and listen through headphones to the various interpretations. The voices drift near and far—sometimes intimate, sometimes distant—like entering a dim room quietly assembled by memory and time. The exhibition does not offer a singular perspective. Instead, it creates a calm space that feels surrounded—by fragments, by the sense of being in orbit. Writing and photography are not used to reproduce experience, but to hold the parts that resist explanation. The space feels like an inner temple, quietly built elsewhere—where landscapes feel detached, and emotions remain unnamed. Images, sounds, and pages lean toward one another, yet leave space between them. Somewhere between a photo, a diary page, and a voice, you might find your own way of living through things— and if not through a grand sentence, then maybe just in something small, like biting into a warm pie and saying, “Pretty good, eh.” 🌜 聲音演出🌛 演員：詹子萱、程予希、韓寧、李沐、林廷憶、林宴慈、温貞菱、項婕如（依A-Z排序）歌手：JUD陳泳希時尚生活自媒體人：Yutopia 李瑜 🌜 展覽論述🌛 影子是物體與光相遇的結果，是生命存在的證詞。觀看，從物件而始，以線條建構輪廓，線條是聚焦於物件的核心，去掉多餘的細節，以更純粹的方式理解形體。當影子出現，人類意識到光。影子賦予物件與線條「真實性」，影子也說明了存在的「有限性」。影子隨時間變化，潛意識的陰影原型也持續消長。影子是存在與時間，與真實的物體保持著某種距離，宛如攝影作為理解世界的方法。影像下時差的位移，使人類生命的暫時，封存在一個無聲但重要的瞬間，「留下」的動作，使傷痕的存在被驗證，傷痕是時間的影子。沒有影子，生命無法單獨存在。在虛實之間，過境一次次有限感知與對生命的追尋。攝影集總是始於離開，終於回到自己身邊。攝影是公路旅行，公路延展，汽車駛向未知，後照鏡中的景物緩緩消隱，直至影子也褪去為線條，一切回歸至本質的凝視。純粹的輪廓，與深刻的內在從來是一體兩面。感知與經驗，在充滿坑洞的路上起舞。影子是滯後的真實，影像是時間的偏移，雖說經常稍晚一步才意識到當下的發生，但回頭時，能夠將所有道別，都談得更深刻些。「在雪場的每一天，都在摔跤中渡過，身體感覺不是自己的。在反覆的疼痛中，板刃與雪面的摩擦越來越確定，我也終於在逆風中，理解鬆開身體的意義。某次，我搭上一台巴士，朋友翻開一本小說，章節名寫著“To live is to suffer”，戲謔地總結了我雪場經驗。巴士還在往前，我也還在路上。」這肯定是最好的在路上了，因為最想拍的，我仍然沒拍成。在我往前時，有人到來，有人離去。只有回頭看見自己的影子時，才能明確知道，我正在經歷自己的生命。線上展覽合作｜ARTOGO 展覽論述與企劃協力｜ab 攝影集及展覽視覺設計師｜黃耀霆展覽執行｜前夜製造 🌜 關於聲音｜Voice Copyright Notice 🌛 展場中播放的聲音素材，來自演員、歌手與自媒體人詮釋創作者的日記內容，是極為私密且珍貴的片段。所有內容皆為創作者與聲音演出者共同創作的成果，並已獲演出者同意使用於本次展覽中，受著作權法保護。為了尊重聲音背後的故事與人，請勿錄音、擷取，或以任何形式使用於展覽以外的用途（包含公開播放、再製、商業使用等）。 The audio materials played in this exhibition feature actors, singers, and independent creators interpreting the artist’s personal diary entries. These recordings are deeply private and meaningful. All content is a collaborative work between the artist and the voice performers, authorized specifically for this exhibition, and protected by copyright law. To respect the people and stories behind these voices, please do not record, copy, or use the audio in any form beyond this exhibition (including public broadcast, reproduction, or commercial use).

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