ๆจ
wood
57 ร 20 ร 7 cm
ๅ็ซ่ช็ถ็งๅญธๅ็ฉ้คจ่
National Museum of Natural Science Collection
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ๅๅ ถๅๆผ1960ๅนดไปฃ่ตดไธญๅๅๅณถๅพ๏ผๆข้ชๅ็ ็ฉถ็่ถณ่ทก้ๅๆฑๅไบใๆไธ็พๆดฒใ้ๆดฒๅๅคงๆดๆดฒ๏ผ้ค่่กๅตไฝๅคไบฆๅพไบ่่กไบบ้กๅญธ็ ็ฉถใๅๅ ถๅ้ไธๅ็ๆๅพๅ ฉๆฎตๆข้ชๆ ็จ็บ1993ๅนด่ตดๅทดๅธไบ็ดๅนพๅ งไบ๏ผไปฅๅ1998ๅนด่ตด็ดข็พ ้็พคๅณถ็ ็ฉถ่ฉฒๅฐ้จ่ฝ่่กใๅๅ ถๅ้จๅพ้ฃๅๅ ถไปๅ ฑ็ด240ไปถ็ถๅฐๆ็ฉ็ๆไบๅ็ซ่ช็ถ็งๅญธๅ็ฉ้คจ๏ผๆ็บ่ฉฒ้คจๅคงๆดๆดฒๆ็ฉๆถ่็ๅบ็คใๅ ถๅญๅๅฏงๆฃฎไบฆๆพๅ่ๅๅ ถๅไน็ฐ้่ชฟๆฅ๏ผๆผ2000ๅนดๅ่ตดๅทด็ด๏ผๆญค่ๅฑๅบไนๆ็ฉ็บๅๅฏงๆฃฎๆก้่ชSepikๆฒณๆตๅKanganamanไนๆ็ฉใ
After his first trip to Indochina in the 1960s, Liu Max C.W. undertook expeditions and research trips in Southeast Asia, Latin America, Africa and Oceania. Other than artistic creations, he was also dedicated to the anthropological study of art. Before his death, he went on two final expeditions, to Papua New Guinea in 1993 and to the Solomon Islands in 1998, to study tribal art there. After that, Liu donated a collection of 240 cultural artifacts from these places to the National Museum of Natural Science, constituting the foundation of the Oceanian collection of the museum. His son, Liu Ning Sen, also participated in field research with him, and returned to Papua New Guinea in 2000. The artifacts exhibited here were collected by Liu Ning Sen in the village of Kanganaman, in the Sepik River basin.
