隨著科技發展、網路媒體的推播，不同世代的「理想生活」被勾勒成截然不同的景象，「城鎮」，不是單一世代普遍認同的模範型態，而是混雜、拼貼；又漸漸的，從過往的傳統社會，前往被消費主宰的商品社會。日常裡殘留的過往痕跡越發稀少，未被商品社會禁錮的長者們也逐漸凋零。我們將越來越難直接接觸「生活」的本質，若有一天除去這些商品，我們的生命還剩下什麼？
作品結合了城鎮模型與遊戲App，觀眾透過AR蒐集故事碎片，拼湊並推進劇情，在過程中找出隱藏在生活周遭，看似不合時宜、與科技相違的儉樸、卻是最清楚看見「真實」的人事物，進而思索並探尋面對商品社會，或是新的生活態度的可能。
With the development of technology, the pace of product innovation continues to accelerate. At the same time, changes in trends reflect people's psychological and style pursuits. Alongside the proliferation of online media, a decade is long enough to bring a wide diversity, thus the "ideal life" is gradually outlined as entirely different images between each generation. However, for people living on the same land, "the view of the town in memory" is never an archetype for any particular generation. The landscape of a town is always a mix and collage, and generally follows social development, transitioning from the non-technical traditional society to the commodity society dominated by consumption. If such changes are destined and inevitable, then how do we identify ourselves in this transitional period? The traces of the past that linger in daily life are getting rarer, while the elderly who have not been confined by the commodity society are gradually withering away. It seems more and more difficult to directly experience "the essence of life." If these commodities are removed one day, what will be left of our lives?
This work presents through an installation, based on a landscape model of a town, accompanied by a dedicated app. Audiences can use augmented reality (AR) to view fragments of stories within the model, piecing together the narratives of the town and the residents. It is hoped that together with the audience, we can find those hidden in our daily lives, which seem out of date and contradict technology, but at the same time are the clearest manifestation of "real". Through this, we can reflect on and explore the possibilities of facing a commodity society or embracing a new attitude towards life.
