國立清華大學藝術與設計學系創作組 23 級畢業生

陳祺睿 Chen Chi-jui

莊惠淇 Chuang Hui-Qi

陳亦心 Chen Yi-Hsin

丁敏 Ting Ming

簡杏安 Chain Xing-An

陳鈺慈 Chen Yu-Ci

李宜倫 Lee Yi-Lun

馮一珊 Feng Yi-shan

洪子翔 Hung Zih-Hsiang

陳昕昀 Chen Xin-Yun

程敏華 Cheng Min-Hua

國立清華大學藝術與設計學系創作組23級畢業生

吳妤賢 Yu-Hsien Wu

陳羿文 Chen Yi-Wen

馬潁芝 Ma Ying-Chih

陳亞辰 Chen Ya-Chen

葉家綺 Yeh Chua-Chi

陳俐心 Chen Li-Hsin

林玟希 Lin Wen-Hsi

黃舒榆  Huang Shu-Yu

王佳嫺 Wang Chia-Shain

楊詠心 Yang Yong-Xin

張為清 Chong Wei-Ching

郭世緯 Kuo Shi-Wei

花于雯 Hua Yu-Wen

陳孟筑 Chen Meng-Chu

任德渝 Jen Te-Yu

王語鴻 Wang Yu-Hang

顏嘉雯 Ngan Jia-Wen

陳星宇 Chen Hsing-Yu

呂晨瑋 Lu Chen-Wei

陳宥蓁  Chen Yu-Chen

陳亭方 Chen Ting-Fang

李宗諭  Lee Tsung-Yu

國立清華大學藝術與設計學系 23 級創作組

A day-3

A day-4

途中 - 歸 Haifway-back

途中 - 望 Haifway-see

《儀式一》（Ritual I)

《儀式二》（Ritual II)

《儀式三》（Ritual III)

向死而生 To be born facing death

過於喧囂的沉默 Excessive Noise of Silence

故鄉之詩 2023 Poem in hometown 2023

北京故宮 2022 after 郭柏川 the Forbidden city 2022 after Koeh Pek-chhoan

寫生小品系列 2022 after 郭柏川 -2 Sketch series 2022 after Koeh Pek-chhoan

《光影記憶：糖廠》 Memory of Light and Shadow: Sugar refinery

《光影記憶：公園》 Memory of Light and Shadow: park

《光影記憶：池》Memory of Light and Shadow:pool

呆腦獸  Dinosaur

Triceratops

Tyrannosaurus

《象牙塔之外》 Beyond the Ivory Tower

茁  Thriving

盼 Hope

歸巢 Homing

父親 Father

溫暖 warm

睡 low : 動物派對  Sleep low-Party Animals

睡 low : 睡豬  Sleep low-Sleepig

修 fix

望 look

隅 corner

眼光的靈魂  ADJ. of spirits

美夢  nice dream

合群的陰謀 When fitting into socialisation

平凡之地 The end of the socialisation

重塑山河  Plastic mountains and rivers

綣渠 curved river

關於水 About Water

Morning Vibe Music

蕨對領域 A Ferny Place

求同存異的瓜  Seeking common ground

冰菓室 Fruit Fridge

處方籤 prescription

失敗的逃亡  Escape Fail

時間  Shape Of Time

下指令  Order

破壞死光   Hyper Beam

賽車 racing car

我 me

轉化 1  Convert Ⅰ

室內 interior

畢業記 The Graduates

I 世代信仰  Generation I Faith

I 世代信仰 -2  Generation Ⅱ Faith

殘 Afterimage

孤  Solitary

蝕  Corrasion

你想看到的是什麼？  There is nothing

背面還有。 Look back

公共浴室 Bathhouse

麻將桌   mahjong

乘風破浪 ride the wind and waves

再見，再也不見  goodbye,never see again

返家  go home

被月亮女孩吞噬的書桌  The desk devoured by the moon girl

纏繞在身邊的月亮女孩  The moon girl entwined around me

月亮女孩 1  moon girl 1

社區泳池  community pool

協力車  Tandem Bicycle

「於是甘心將日子存放在燈塔內，漫漫長夜，凝成一團灰。 灰裡有細細的，熱熱的光。」

熠者，盛光也。從火習聲。

初次抵達創作的曠野，以為來到自由宣洩靈感的樂園，卻發現無人之境滿是試煉。
四年的時光，十六個季節，三百六十五乘以四加一個日夜，
在嘗試、推翻、自圓其說、我覺得可、我覺得行不通的輪迴裡連滾帶爬。
於是甘心將日子存放在燈塔內，漫漫長夜，凝成一團灰。
灰裡有細細的，熱熱的光。
終究走到了這裡，挑檢灰燼裡的火星，那是不曾在夢裡見過的璀璨。
做了有什麼用？為了什麼而做？做完了要幹嘛？一切的問題似乎也不成問題。
因為我知道，在燈塔裡的日子，是日、是夜、是生命，也是我自己。

回顧 2019 至今的日子，疫情佔據大半校園生活，改變我們在傳統空間內學習的模式，回歸更加內省，獨立的個體空間。細數一路走來，原本的我們跟現在的我們，好像一樣，卻又存在巨大的不同；也許在連自己都不曾發現的時空間隙，我們長成了現在的模樣，在成堆的畫紙裡，在隨筆的速寫裡。前有盜火者普羅米修斯，將火焰從神的手中竊取至人間，用無休止的苦難成就人類文明；而渺小如我們不似神話壯烈，卻努力抓住那星星之火，日夜的累積結成一張網，將小小的火焰牢牢捕獲。於是我們用「熠熠」為這象徵結束與起始的展覽命名，整理過去的積累，期許未來，也能在火堆裡重生，變成更好的自己。


“So they willingly stored their days in the lighthouse. Where the long night was frozen into a pile of ash; where there is a tiny, flaming spark.”

熠 (yi)
(adj.) To glow; to flash.

When we first arrived in the wilderness, we thought we were in a paradise of liberation and inspiration. However, the uninhabited realm was full of trials and tribulations. Four years, sixteen seasons. The cycle of attempts, denials, self-justifications, and suspicions exploded quietly over countless nights.

Finally, here we are, picking out the sparks from the ash. Though we continued experiencing frustrations during our days in the lighthouse, we still aspired for the future.

In 2023, the Graduation Exhibition of National Tsing Hua University, Department of Arts and Design, focused on the “meaning” and “engagement” in creation. Looking back to 2019, covid-19 took over our campus life. It also changed the way we learn in traditional space, pushing us back to a more introspective, independent lifestyle.

How many steps does it take to complete a work? Perhaps we have grown without even noticing through those scattered paper and casual sketches. If fire (火) is an immediate splendor, then practice (習), for us, is a process of effort, failure, repetition, and renewal.

In Greek Mythology, Prometheus stole the fire from gods and brought it to human beings, sacrificing himself to the civilization of humans. Though we are not as heroic as the story, we still worked day and night, forming a net to catch the immediate spark of creativity.

Therefore, we named the exhibition " Yi Yi (熠熠) ", symbolizing the end of our undergraduate studies, and the beginning of our future journey. We organize the results during the past four years, hoping that in the future, we can also be reborn in the fire, growing into a better version of ourselves.

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熠熠

舊衣服、車縫線、無酸樹酯 41.0×31.5cm

回溯自身學習歷程，以舊衣物等媒材重新詮釋郭柏川之油彩繪畫，探索藝術作品在繪畫性與複合媒材使用的互相調整之關係。