尺寸：長衫：77 × 138.5 公分；裙子：58 × 72 公分；護腿布：33 × 50 公分；雲肩：93 × 62 公分；vecekelj：63 公分；vinasai：96 公分；vinizim：111 公分；tarare：直徑84 × 30 × 27 × 28 公分
材質：麻、麻布、棉布、毛線、琉璃珠、瑪瑙、五彩貝、貝飾、錢幣、鏈條、刀柄、銅鈴、銀墜、銀戒指、貝戒指、羽毛
許春美熟悉排灣族傳統織布中的平織、斜紋織、浮織法與綁織（俗稱挑織）等主要技法，也深知不同圖紋與自然環境、社會階序之間的文化意涵，並持續傳習古老的織布口訣與歌謠。對她而言，織布不只是技術與形式的延續，更是文化智慧與世代記憶的傳承；透過重新呈現祖先留下的圖紋、技法與知識，使排灣族傳統織布得以走入當代生活，延續其文化價值。
Dimensions: Long tunic: 77 × 138.5 cm; Skirt: 58 × 72 cm; Leg wraps: 33 × 50 cm; Shoulder cape: 93 × 62 cm; vecekelj: 63 cm; vinasai: 96 cm; vinizim: 111 cm; tarare: Ø84 × 30 × 27 × 28 cm
Materials: Hemp, hemp fabric, cotton fabric, wool yarn, glass beads, agate, multicolored shells, shell ornaments, coins, chains, knife hilt, copper bells, silver pendants, silver rings, shell rings, and feathers
Miyang is well versed in the principal techniques of traditional Paiwan weaving, including plain weave, twill, float weaving, and binding techniques commonly known as pattern picking. She also understands the cultural meanings linking different patterns to the natural environment and social hierarchy, and continues to pass on ancient weaving chants and songs. For her, weaving is more than the continuation of techniques and forms: it transmits cultural wisdom and memories across generations. By bringing ancestral patterns, techniques, and knowledge into the present, she enables traditional Paiwan weaving to enter contemporary life and sustain its cultural value.
