馬水龍(1939.07.17- 2015.5.2)，出生於基隆，臺灣當代重要作曲家。獲獎無數，金曲獎特別貢獻獎、吳三連文藝創作獎、國家文藝獎、行政院文化獎、總統府二等景星勳章等。音樂作品風格獨特，巧妙融合臺灣本土元素與西方現代作曲技法，代表作包括《雨港素描》、《廖添丁》舞劇音樂、《梆笛協奏曲》、《琵琶與弦樂四重奏》《無形的神殿》等。其作品曾於世界二十多個國家和地區演出，獲得高度評價。

馬水龍

臺灣音樂館長年深耕於臺灣音樂的調查、研究、保存及推廣，將豐富的臺灣音樂文化研究成果以各類形式展現，包含音樂會、講座、資料庫、展覽、出版等，提供民眾多元的方式認識臺灣珍貴的音樂文化資產。臺音館並透過國際合作交流、鼓勵原創、人才培育與資源共享，展現臺灣音樂文化厚度，同時引領臺灣音樂走向世界，延續臺灣音樂的脈動與旋律。

臺灣音樂館

馬水龍生平記事年表

生於雨港—人格養成與教育 Born in the Rainy Harbor — Character Formation and Education

幼年時期〈生於雨港—人格養成與教育〉

藝專時期〈生於漁港－人格養成與教育〉

生於漁港－人格養成與教育

向日葵樂會首次作品發表

你寫我們就演－多瑙河畔的深造與體驗 You Compose, We Perform — Study and Revelation by the Danube

從外雙溪到關渡—創作理念的形成 From Waishuangxi to Guandu — The Formation of a Compositional Philosophy

音樂教育—立足傳統，放眼世界 Music Education — Rooted in Tradition, Open to the World

響徹殿堂—對於臺灣音樂發展的貢獻與成就 Echoing Through the Halls — Contributions to Taiwanese Music and Lasting Legacy

鶼鰈情深——創作與人生路上的知音 Lifelong Companion — Love, Music, and the Quiet Strength Beside Him

鶼鰈情深—創作與人生路上的知音 Lifelong Companion — Love, Music, and the Quiet Strength Beside Him

「看見音樂，聽見畫」，馬水龍畫作選Seeing Music, Listening to Painting — Selected Works by Ma Shui-Long

影音圖書區

民65〈馬水龍樂展〉節目單

1987馬水龍樂展摺頁

馬水龍創作時的鋼琴與書桌

展櫃A

展櫃B

展櫃C

展櫃D

展櫃E

展櫃F

展櫃G

馬水龍獲獎牌與獎盃

2007 聽見臺灣的聲音–馬水龍樂展 Voice of Taiwan – Composition Concert of Ma Shui-Long

2015馬水龍紀念樂展

2008年北藝三遷校史展展場影片《藝舟舵者》

馬水龍逝世十周年紀念特展 總說牆面

你寫我們就演－多瑙河畔的深造與體驗

從外雙溪到關渡－創作理念的形成

音樂教育－立足傳統，放眼世界

響徹殿堂－對於臺灣音樂發展的貢獻與成就

鶼鰈情深－創作與人生路上的知音

看見音樂聽見畫，馬水龍畫作選

馬水龍(1939.07.17- 2015.5.2)，出生於基隆，是臺灣當代重要作曲家。他獲獎無數，有金曲獎特別貢獻獎、吳三連文藝創作獎、國家文藝獎、行政院文化獎、總統府二等景星勳章等。他的音樂作品風格獨特，巧妙融合臺灣本土元素與西方現代作曲技法，代表作包括《雨港素描》、《廖添丁》舞劇音樂、《梆笛協奏曲》、《琵琶與弦樂四重奏》《無形的神殿》等。其作品曾於世界二十多個國家和地區演出，獲得高度評價。

馬水龍在創作高峰之際投入藝術教育，擔任教育行政主管十三年中，全心全意地投入，並有重大貢獻，例如在高教體制中，推動藝術家得以用作品或表演成就升等，民間傑出藝人得以用專技人員資格到大學任教等。他是唯一當過大學校長的作曲家，也是唯一獲得三個國立大學(臺南大學、臺灣大學、臺北藝術大學)頒贈榮譽博士頭銜的作曲家；他並將在民間獲得的資源，創辦「春秋樂集」系列音樂會(邱再興文教基金會贊助)，激發國人的音樂創作能量；他的藝術成就開創了本國音樂史上的佳績，他也努力推展文化藝術外交，讓世界看見臺灣，是最值得推崇的典範音樂家之一。

Ma Shui-Long (July 17, 1939 – May 2, 2015) was a pivotal figure in contemporary Taiwanese music, born in Keelung, Taiwan. Celebrated for his distinctive compositional style that seamlessly integrates Taiwanese cultural elements with Western modernist techniques, Ma received numerous prestigious honors during his lifetime, including the Special Contribution Award at the Golden Melody Awards, the Wu San-Lien Art Award, the National Award for Arts, the National Cultural Award from the Executive Yuan, and the Order of Brilliant Star (Second Class) from the Office of the President.

His acclaimed works—A Sketch of the Rainy Harbor, the dance drama Liao Tian-Ding, Concerto for Bamboo Flute and Orchestra, For Pipa and String Quartet, and The Invisible Temple—have been performed in over twenty countries and regions worldwide, earning widespread critical acclaim.
At the height of his creative career, Ma devoted himself wholeheartedly to arts education and administration. Over thirteen years of academic leadership, he made enduring contributions to Taiwan’s higher education system: advocating for the recognition of artistic performance and creative works as valid credentials for academic promotion, and enabling outstanding folk artists to be appointed as university faculty under professional technical qualifications.

He remains the only composer in Taiwan’s history to have served as a university president and to have been awarded honorary doctorates from three national universities—National University of Tainan, National Taiwan University, and Taipei National University of the Arts. Moreover, he reinvested private resources into the founding of the Spring & Autumn Music Series, sponsored by the Chew’s Culture Foundation, which energized Taiwan’s music creation landscape.

Ma Shui-Long’s legacy lies not only in his artistic achievements that reshaped Taiwanese music history, but also in his tireless promotion of cultural diplomacy—bringing Taiwanese music to the global stage. He is remembered as one of the most esteemed and exemplary musicians in the nation’s history.

《看見音樂 聽見畫》

1.與東吳大學端木愷校長（左一）
2.馬水龍與羅斯托波維奇（1983）
3.與陳達合影
4.前排賴德和（右一），馬水龍（右二），楊英風（右四），林懷民（右五），張照堂（左一），朱銘（左二）