透過走訪北中南地的舞台車活動，以人員、演出、舞台三大主軸作為主體，藉由實際訪問跟拍來了解他們與舞台車之間的聯繫以及對廟會文化的精神涵義與看法，藉此設計出一本關於舞台車文化的刊物，以及相關的周邊，像是紅包袋。
我們想探討舞台車與人們之間的情感連結，進而讓更多人了解這個傳統文化的魅力所在，消除大家的有色眼光，以及讓外國人更加了解屬於台灣人的草間文化。
海報採用鐳射材質下去印刷，營造出像舞台車燈光一樣的效果，內部圖騰採用亮麗的顏色代表舞台車上繽紛的色彩。
紅包袋的紙器結構則是模擬舞台車體展開效果。
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We visited the stage car activities around Taiwan, with the three main axes of personnel, performance, and stage as the main bod. By actual visits and films, we can understand the connection between them and the stage car, as well as their spiritual meaning and views on the temple fair culture. We design a publication about stage car culture, and related peripherals, such as red envelopes.
We want to explore the emotional connection between stage cars and people, so that more people can understand the charm of this traditional culture, eliminate everyone's colored vision, and let foreigners can understand the subaltern culture better .
The poster is printed with laser material to create an effect like the lights of the stage car. The internal totem uses bright colors to represent the brilliant colors on the stage car.
The structure of the red envelope bag simulates the unfolding effect of the stage car body.
