作品名稱 Title:
地景序列_陽翟地景文化樂園
The Landscape Series_Yangzhai Landscape Cultural Theme Park
指導老師 Adviser:
陳志宏
基地位置 Location:
金門/陽翟
Yangzhai/Kinmen
作品介紹 Description:
人在不同的地景中尋找心中嚮往的風景畫。
一直以來人們以慾望為基礎創造新的地景，並以不同的規模依序建構而成，他們同時堆疊或融合於原有的地景之上，而每個地方都會因為各種因素(例如歷史文化、時間、自然環境等)的影響，組合出具地方感的地景。回到現代化下的社會，隨著科技的進步和資訊的傳播，人們的慾望也跟著增加，具有經濟效益的地景能被快速的複製、散佈，廢棄然後再複製於世界各地的城市之中，這種循環快速的覆蓋原有地景樣態，使我們難以掌握地方性的特徵，也讓地方感被削弱，這就如同風景畫失去背後獨特創作概念及故事，失去了人們學習如何觀察和思考世界的可能性，因此人們開始透過觀光旅行、露營等方式試圖尋找有別於現代城市的地景樣態，但是當觀光產業介入非都市地區，帶來的會不會是再一次對地景覆蓋，或是淪為對視覺場景的複製及消費？
當觀光的行為產生了消費地景的需求，並建構於原有的地景樣態之上，而新的建築和空間將扮演著重要的角色。
從觀光客的角度思考，他們為了暫時脫離對都市地景的厭煩，去到其他地方尋找他們心中美好的集體印象，也就是景點，然而他們希望的可能不止是拍張照，而是體驗在不同的地景樣態下的日常和非日常生活；而從非觀光客的角度思考，當觀光客的介入提供了新的經濟模式產生的可能性後，新的地景必然將因人的慾望而建構於地方，最後從建築空間思考，建築和空間同時提供了人們的日常的需求，也是組成地景的其中一個元素，所以我想用建築設計的方式，重新協調的原有的地景樣態與新的消費地景的關係。
People look for the landscape paintings they yearn for in different landscapes.
People have always created new landscapes based on desire and constructed them on different scales in sequence. They are stacked or integrated on the original landscape at the same time, and each place will be affected by various factors (such as history and culture). , Time, natural environment, etc.), combined with a landscape that gives a sense of place. Back to the modern society, with the advancement of technology and the spread of information, people’s desires have also increased. Economically beneficial landscapes can be quickly copied, spread, abandoned and then copied in cities around the world. This kind of cycle quickly covers the original landscape, making it difficult for us to grasp the local characteristics and weakening the sense of place. This is like the loss of the unique creative concept and story behind the landscape painting, and the loss of people learning how to observe and think. The possibility of the world, so people began to try to find a landscape that is different from modern cities through sightseeing, camping, etc. However, when the tourism industry intervenes in non-urban areas, will it bring another coverage of the landscape? , Or reduced to the reproduction and consumption of visual scenes?
When the act of sightseeing generates a demand for the consumption of the landscape and is built on the original landscape, the new buildings and spaces will play an important role.
Thinking from the perspective of tourists, in order to temporarily get rid of their boredom with the urban landscape, they go to other places to find their good collective impressions, that is, scenic spots. However, they may not only want to take a picture, but to experience different things. From the perspective of non-tourists, when the intervention of tourists provides the possibility of new economic models, the new landscape will inevitably be based on people’s desires. Constructed in place, and finally thinking about architectural space. Architecture and space provide people's daily needs at the same time, and they are also one of the elements that make up the landscape. Therefore, I want to re-coordinate the original landscape in the way of architectural design. The relationship between the state and the new consumption landscape.
Based on the original sequence of landscape construction, I tried to sell landscapes through selective consumption to enhance the value behind the local landscapes, making them works of art, landscape paintings, and architectural spaces as enlarged places Sexual effects. 
