影像創作者，作品聚焦於閾限主體、多重文本、歷史聲語、身體書寫等主題,目前專注於透過感官人類學、反身性紀錄片、實驗影像與新媒體藝術進行影像美學的探勘。作品曾於威尼斯雙年展臺灣館、新加坡國際電影節、瑞士真實影展 Media Library、韓國釜山短片影展、高雄電影節、臺灣國際女性影展、南方影展、香港獨立電影節等中放映展出。

Lin, Hsin-I is a film-maker and an associate professor at the Institute of Appkied Art, National Ciao-Tung University. She is the director of the award-winning films Letter #69 (2016), 3 Islands (2015). Her scholarly interest is focused on the visual anthropology and the intersection between new media, experimental and sensory enthographic film and art practicies. Lin is also the researcher of the International Center for Cultural Studies, ICCS_NCTU.

林欣怡

日籍攝影創作者，生於1969年日本東京，英國倫敦藝術大學( University of the Arts London )畢業，擅長拍攝生與死以及生命力的題材，曾在2013年獲得Sony世界攝影大獎「自然&野生」類首獎，是第一位獲得此殊榮的亜洲人，其他重要獎項還包括秋山庄太郎記念「花」類大賞、Nikkor俱楽部攝影賞準特選獎、美國IPA國際攝影大賽榮譽入選獎、日本廣告寫真家協会賞入選獎、Epson「台灣尊榮賞」評審獎等，曾在Jazz爵士攝影藝廊、勤美天地CMP BLOCK、台東故事館等地舉辦個展，2013年還與互動裝置藝術家黃心健合作，在台北市政府捷運世貿中心站展出公共藝術作品。2019年赤嵌文化園區改造工程位在赤嵌東街的工程圍籬，以「TIME」為主題，集合成功國小一百位小朋友的影像和在地居民的老照片，串連成一條時光長廊，2019年參與內灣線鐵道美術館新竹內灣線竹東站的公共藝術攝影作品。

Satoru Kondo was born in Tokyo and moved to the United Kingdom to study at University of the Arts London. He now lives in Taipei, Taiwan and works as a freelance photographer, specialising in subjects like life and death and the vitality of life. He is highly acclaimed in his solo exhibitions and has won many awards from various photography competitions at home and abroad. 2013, he was awarded with the Sony World Photography Awards Nature & Wildlife Photographer of the Year title. It was the first time in the six-year history of the awards that a photographer from Asia has been awarded 1st place in the Professional competition. Last year, He was invited to join the project, called Time for taking 100 portraits of the elementary school students and collecting old films from local residents to create a time corridor in the Tainan Chihkan Cultural Zone. Moreover, he exhibited his works in the NeiWan Line Railway Art Exhibition.

近藤悟

「恆禾藝創」，充滿金色稻穗之美，藝術創新的能量如永恆的河恆禾團隊以藝術創新為基底，具備藝術、策劃、媒體、社群、公關、行銷等專業能力，構建當代藝術的展演平台，包括藝術家、策展人，都能透過「恆禾」，找到自己的舞台。

策展單位｜恆禾藝創股份有限公司 GoodCreative

現任交通大學藝文中心展覽總監，曾任台灣藝術教育館展覽組與研究組專員、中華民國博物館學會助理員、台北市立美術館研究組助理。交通大學應用藝術研究所視覺傳達組碩士，從事視覺藝術行政與教學工作十餘年，身兼影像創作者。喜歡閱覽電影、小說、展覽、攝影，以及文字書寫。創作一向關注人的內在情感，與外在景象之間的連結可能性。從生活週遭取材，藉由創作探索身體感知、覺察狀態，以觀照物我。

個人網站

策展人｜湯景光

新竹百態 Workers

考聲誌 Sound Weaving Map

當代社會中，隨著網路科技的進步和照相手機的普及，社群媒體作為人際溝通與資訊傳遞的重要平台，圖像、影片、聲音等認知模式逐漸取代文字的地位，成為人們認識彼此與世界的重要媒介。
網路提供身份形象的創造、生活紀事與意見分享，提高個人發聲表達的機會，人們參與圖文材料的生產，人像攝影成為普遍關注的表現手法。在拍與被拍之間，在觀看與被觀看之間，身體被形態化為客體他者。
姿勢是一種視覺語言，除了迎合社會與歷史的文化期待和潛在規範之外，同時也尋求自我的內在認同。擺姿勢（Pose）意味著尊重自己，以及要求獲得尊重。在影像社會中，人們尋思如何通過對身體形態的擺佈，取得個人面對世界、揭露自我的權力。具有技藝力與感知力的創作者，擅長描述和再現各式形態的美學特質，演繹富有時代特色的知覺語彙。
本次展覽創作計畫以《新竹擺態》為題，邀請日籍攝影家近藤悟與在地藝術家林欣怡分別從視覺、聽覺、觸覺多重感官材料出發探索，進行地方人物誌的知覺文本書寫。
藝術家從職業與族群的面向切入，通過一定數量的樣本採集，以身體形態、口述聲響與文化物質，組構出影態、聲態多語並置的職人圖鑑和微型敘事。透過肖像劇場、聲觸互動的審美認知共感體驗，形塑新竹人的一百種生命樣態。

In the contemporary society, with the advanced internet techonology and widespread use of phones with camera, social media is the crucial platform for communication and information
transmission. Images, videos and sounds have replaced texts' role in sensory mode, becoming the media that people apply to understand each other and the world.
The internet allows people to create identity, record life and share opinions, boosting the chance for speaking up. As people are indulged in the production of images
and texts, portrait photography becomes a popular performing technique. Between capturing and being captured, seeing and being seen, subjects are formed into objective figures.
Pose is visual language. The posing subject poses to respond to social, historical, cultural expectations and norms, while seeking their inner self-recognition. To pose indicates to respect
oneself and to ask for respect. In the society of image, people seek to gain right and power of dealing with the world and showing themselves through various forms, demonstrate sensory
languages of the era with their creative skills and senses.
In the exhibition Hsinchu POSE, Japanese artist Satoru Kondo and local artist LIN Hsin I are invited to participate in this creative project, applying vision, hearing and touch as materials to
portray sensory text for the local personal.
Collecting samples from the aspect of career and ethnic groups separately, the artists use figures, narratives and cultural elements of the local to construct the worker handbook and the micro
narrative with juxtaposition of visual and sound languages. Through the portrait theatre and sound-body interaction, aesthetic experience echoes, shaping a hundred poses of the Hsinchu local.

新竹擺態

媒材 Medium：數位影像輸出
尺寸 Dimension：依實際現場場地尺寸
年份 Years：2020
作品介紹 Description：
認真工作的人最美。
本作品收納新竹市閩南人、客家人、原住民、眷村居民等地方族群的聲線口述，構成多語
生態並置的「聲繡」。透過與文化聲語物件的互動，達成多重感官認知的地方理解。
「聲繡」包含了「聲音/具身/刺繡」的「第三種聲音」，混融諸種不同的訪者、特定地點
的記憶描述。作為嵌入式的敘事存檔系統，將包括訪談時的傾聽、地方聲響的採集和擴延
場所的交互詮釋。