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展覽介紹

展覽名稱

造物星圖：工藝青年朝向自我實現的職人軌道

展期

2025-01-15 ~ 2025-05-11

地點

國立臺灣工藝研究發展中心工藝設計館1-2樓

地址

542南投縣草屯鎮中正路573號

每一顆星都能走上自己的星軌。浩瀚星圖並非一天造成，而萬物卻是經由工藝青年之手，自最日常的照起工誕生；從日日專注地投入，進而開拓出屬於自我的職人軌道。天工開物，臺灣當代工藝青年們也正以身懷的造物之藝，走出一條屬於自己的軌跡。工藝青年身處當代，有其對應外在當代社會處境、及內在自我認知的雙重面向，如何在其中開闢出一條能持之以恆的工藝星軌，是本展所欲呈現的探究目標。以工藝青年自身的時間軸來看，本展側重於隨著創作進程穩定、社會經濟運作模式較為清晰的確認志業發展期，以描繪出一幅更為聚焦的工藝青年群像。透過「日常造物照起工」、「開工就是要開市」、「光環自造者」、「人人有功練的多重邊界」、「放光照耀著的恆星」及「一個藍海星圖的誕生」六大主題區，分別探究工藝青年如何透過工藝創作對應其在地風土及情感面的觸動、建立起多元及多角的經濟模式、創新實驗將新科技與素材導入工藝、投射與反思自我形象設定、跨學科及地域持續精進技藝，以及在能量飽滿之際對於社會議題所投注的心力。展覽從青年工藝家如何由自身所處之真實場域為起點，層層向外推進；每一位以工藝為志業的當代工藝青年都有其貫穿本展六大展區主軸的立體面向，本展以策展及工藝家自選之雙向命題，以及工藝青年之代表性創作相互對應，在物與創作者的所思所想之間，勾勒出當代工藝青年在工藝志業之路上的星軌。哲學家班雅明（Walter Benjamin）曾說：「理念之於物件，如同星叢之於繁星。」（Ideas are to objects as constellations are to stars.）本展也藉由點出工藝繁星自我實現之星圖，廣角一探臺灣當代青年工藝宇宙中，隱然成形的星叢樣貌。本展同時響應繼國立臺灣工藝研究發展中心七十週年提出的「活工藝．工藝活」倡議，以「工藝70+1」為主軸推動工藝「漫活SLOHAS」；結合漫活（Slow）和樂活（Lohas），強調在緩慢（Slow）、智慧（Smart）和簡單（Simple）的基礎上，推動健康（Health）、美學（Aesthetics）和永續（Sustainability）的核心價值。藉由本展聚焦臺灣當代工藝青年，在漣漪效應的擴散之下，看見臺灣當代工藝青年於此際呈現出的浩瀚造物星圖。 Every star finds its own celestial path. The vast constellation was not crafted in a single day, yet all things are born through the relentless hands of young artisans. From the unwavering focus of each passing day, they carve out a path uniquely their own, a journey of mastery illuminated by dedication. Taiwan's young artisans are forging their unique paths through the art of creation. Living in the modern era, they face a dual challenge: responding to the demands of contemporary society while embarking on a personal journey of self-discovery. This exhibition delves into how these artisans shape lasting legacies, tracing their own constellations in the ever-expanding universe of craftsmanship. Viewed through the timeline of young artisans' journeys, this exhibition focuses on the pivotal phase of career development, characterized by a stable creative process and a clearer understanding of socio-economic dynamics. It aims to present a more concentrated and nuanced group portrait of young artisans. Through six thematic sections—'Crafting Everyday Objects,' 'Starting with the Market,' 'Self-Made Glory,' 'Mastery Across Boundaries,' 'Illuminating Stars,' and 'The Birth of a Blue Ocean Star Map'—the exhibition delves into how young artisans respond to local landscapes and emotional connections through their craft, establish diverse and multi-dimensional economic models, innovate by integrating new technologies and materials into traditional practices, project and reflect on their self-identity, refine their skills across disciplines and regions, and, at the peak of their creative energy, channel their efforts into addressing pressing social issues. The exhibition starts by showing how young artisans draw inspiration from their everyday surroundings, gradually expanding their creative vision outward. Each artisan who chooses craftsmanship as a career reflects different aspects that connect to the six main themes of the exhibition. By combining curatorial themes with personal stories shared by the artisans and showcasing their representative works, the exhibition creates a link between the objects and the thoughts behind them. It follows the unique journeys of these contemporary artisans as they explore and grow in their craft. The philosopher Walter Benjamin once said, 'Ideas are to objects as constellations are to stars.' This exhibition explores how young Taiwanese artisans form new connections in their craft, shining a light on their journeys of self-realization. This exhibition also responds to the " Living Craft, Crafting Life " initiative launched in celebration of the 70th anniversary of the National Taiwan Craft Research and Development Institute, centering on the theme of "Craft 70+1" to promote the concept of "SLOHAS Craftsmanship." By combining the ideas of Slow and Lohas (Lifestyles of Health and Sustainability), the initiative emphasizes core values of Health, Aesthetics, and Sustainability, rooted in the principles of being Slow, Smart, and Simple. Through this exhibition, which spotlights contemporary Taiwanese artisan youth, we witness the expansive star map of creation they present, radiating outward in a ripple effect that defines the spirit of contemporary Taiwanese craftsmanship.

作品導覽

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a／日常造物照起工 Crafting Everyday Objects

《原土計畫》試片、原土計畫瓶

土星工作室 Tu Xng Studio

羊毛氈昆蟲圖鑑 Insect Specimens

王荷瑄 Wang Ho-Hsuan

留白蒔光 - 吊燈、壁燈、桌燈 Illuminating Time - Light Pendant、Wall Lamp, Table Lamp

黑色特工隊 Dark Incredible

泉邊几 Spring Table

里爾家具 Real Furniture

是圓是方 Round And Square

易佑安 Yi Yu-An

月桃托特包 Alpinia Leaf Tote Bag

潘雅莉 Pan Ya Li

花生麻糬背包 Peanut Mochi Backpack

藺子 Sunnyrush

紅包組系列 Red Envelope Series

臍加厝手路金工 Innie + Outie Metal Art Studio

#10

混凝漆器系列 Concrete Lacquerware Series

賴信佑｜光山行 Lai Hsin-You

a／日常造物照起工 Crafting Everyday Objects

《原土計畫》試片、原土計畫瓶

土星工作室 Tu Xng Studio

羊毛氈昆蟲圖鑑 Insect Specimens

王荷瑄 Wang Ho-Hsuan

留白蒔光 - 吊燈、壁燈、桌燈 Illuminating Time - Light Pendant、Wall Lamp, Table Lamp

黑色特工隊 Dark Incredible

泉邊几 Spring Table

里爾家具 Real Furniture

是圓是方 Round And Square

易佑安 Yi Yu-An

月桃托特包 Alpinia Leaf Tote Bag

潘雅莉 Pan Ya Li

花生麻糬背包 Peanut Mochi Backpack

藺子 Sunnyrush

紅包組系列 Red Envelope Series

臍加厝手路金工 Innie + Outie Metal Art Studio

#10

混凝漆器系列 Concrete Lacquerware Series

賴信佑｜光山行 Lai Hsin-You

a／日常造物照起工 Crafting Everyday Objects

《原土計畫》試片、原土計畫瓶

土星工作室 Tu Xng Studio

羊毛氈昆蟲圖鑑 Insect Specimens

王荷瑄 Wang Ho-Hsuan

留白蒔光 - 吊燈、壁燈、桌燈 Illuminating Time - Light Pendant、Wall Lamp, Table Lamp

黑色特工隊 Dark Incredible

泉邊几 Spring Table

里爾家具 Real Furniture

是圓是方 Round And Square

易佑安 Yi Yu-An

月桃托特包 Alpinia Leaf Tote Bag

潘雅莉 Pan Ya Li

花生麻糬背包 Peanut Mochi Backpack

藺子 Sunnyrush

紅包組系列 Red Envelope Series

臍加厝手路金工 Innie + Outie Metal Art Studio

#10

混凝漆器系列 Concrete Lacquerware Series

賴信佑｜光山行 Lai Hsin-You

關於策展

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展覽方

國立臺灣工藝研究發展中心

國立臺灣工藝研究發展中心（以下簡稱本中心）隸屬於文化部，致力於工藝文化推廣與工藝產業扶植，業務職掌包含工藝研創、人才培育、工藝檢測、研究出版與展覽、工藝典藏加值應用、地方工藝扶植、工藝美學教育推廣、工藝品牌認證、工藝產業輔導、國際交流合作等服務項目工作。工藝源自生活，以人為本。臺灣具有多元工藝文化，在當代快速變遷的環境中，工藝仍然持續追求成長、迎接改變。優良工藝精神要傳承，做法與時俱進有創新，唯一不變的核心精神在於堅持、頂真以及追求極致，而這樣的工藝精神同時也是臺灣人民的普世價值，一路以來腳踏實地打拼，共同繁榮臺灣這塊土地。本中心以「活」為中心思想，倡議「活工藝．工藝活」，期許人人生活有工藝，讓工藝活重新被活絡，更提倡工藝「漫活SLOHAS」是樂活事，以簡單（Simplicity）不簡單的方式，形成一種符合時代性的生活型態（Lifestyle），找出具原創性（Originality）的機會點，給予人們健康（Health）且具備美學（Aesthetics）的生活方式，將此精神向外分享出去，達成永續發展（Sustainability）目標的一種生活態度。換言之，工藝「漫活SLOHAS」的生活態度，是S到S之間永續無限∞的善藝循環。更連結ESG、SDGs、碳中和等重要議題，藉由循環永續的ESG for Craft概念，用工藝、做公益、成公意。盼以工藝美化人心，美化臺灣。持續厚實文化底蘊，促進產業經濟，更藉此向世界遞出臺灣工藝的名片，讓世界透過工藝看見臺灣。

展覽方

方物研創

方物，作為名詞，是地方風土之物，作為動詞，是對物的測量與識別，在知識型的形構之處，在感知美學的前沿地帶，進行文化研究與創造。成立於2022年，立基於工藝設計、藝術影像與人文研究之策展團隊。擅長以創意文案與編輯手法，對文化內容及跨域形式進行專題策劃，提供從前期研究、展覽策劃製作、到行銷企劃溝通的專業整合服務。