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Tentoonstellingsintroductie

Naam

2026 臺灣文博會《物演流形 FLOWING FORMS：Living in Formation》

Periode

2026-08-01 ~ 2026-08-31

Locatie

空總國家文化基地 - 古蹟大樓1樓

Adres

臺北市大安區義村里建國南路一段177號

《物演流形 FLOWING FORMS: Living in Formation》以「生活的演算法，在流動中形成」為核心概念，將展覽轉化為一座「生活生成展示系統」。展覽透過七種模組化居家空間，結合工藝器物、感知行為與互動機制，探討人們如何在日常之中，持續生成對理想生活的想像與選擇。以未來工業感與超現實科技語彙為空間基調，將工藝重新定位為生活系統中的感知介面與生成節點。觀者不只是觀看者，更將成為被觀測的生活樣本，在空間行為、感知偏好與互動選擇中，逐步累積自身的生活參數。將日常經驗轉化為可辨識、可選取的生活元件，在生活中透過重新組織器物與使用情境，建構屬於個人的居家體驗場景，讓工藝回歸使用本質，成為生活得以發生、流動與生成的「組件」，延伸至家中及日常，重新編譯屬於自己的工藝生活理想樣貌。 “FLOWING FORMS: Living in Formation” is built around the idea that “life takes shape in flow.” The exhibition transforms the viewing experience into a “Living Formation System,” exploring how ideal lifestyles are continuously generated through perception, choice, behavior, and everyday routines. Structured through seven modular domestic environments, the exhibition integrates contemporary craft, spatial interaction, and behavioral observation to reveal how living conditions are formed and transformed over time. Rather than presenting craft as static objects, the exhibition positions craft as interfaces of perception and catalysts within a living system. With a futuristic industrial aesthetic and surreal technological atmosphere, visitors move through spaces designed as observable lifestyle modules. In this process, they become both observers and living samples within the exhibition itself. Transforming everyday experiences into recognizable and selectable living components, the exhibition explores how the reorganization of objects and contexts of use can construct personalized domestic experiences. Craft returns to the essence of use, becoming a component through which life unfolds, flows, and evolves—extending into the home and everyday life to reimagine an ideal form of craft living.

Gerelateerde links

《物演流形 FLOWING FORMS：Living in Formation》主視覺影片

2126年博物館的未來視角！2026 臺灣文博會《物演流形》以「雙重路徑」拆解當代居家生活參數

物演流形 FLOWING FORMS：Living in Formation | 臺灣工藝型錄主題平台

Kunstwerken

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Over de curatie

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策展人

引目設計 | 李聖恩

李聖恩（Shawn Lee），交通工具設計背景出身的策展人與設計實踐者，現任社團法人台北市工業設計發展協會理事長、台灣藝術經理人協會理事長、台灣設計聯盟副理事長及引目設計創辦人。長期游走於工業設計、展覽策劃與文化場域之間，關注器物、生活與人之間的關係，並以「萬物皆流，無物常駐」為核心理念，持續推動台灣設計與當代文化的流動與連結。

主辦單位

國立臺灣工藝研究發展中心 National Taiwan Craft Research and Development Institute

國立臺灣工藝研究發展中心隸屬於文化部，致力於工藝文化推廣與工藝產業扶植，業務職掌包含工藝研創、人才培育、工藝檢測、研究出版與展覽、工藝典藏加值應用、地方工藝扶植、工藝美學教育推廣、工藝品牌認證、工藝產業輔導、國際交流合作等服務項目工作。 The National Taiwan Craft Research and Development Institute, under the Ministry of Culture, is dedicated to promoting craft culture and supporting the craft industry. Its core responsibilities include craft research and innovation, talent cultivation, craft testing, publications and exhibitions, collection and value-added applications, local craft development, craft aesthetics education, industry guidance, brand development, product certification, and international cooperation.