๐Ÿ™€
๋ณธ ์ปจํ…์ธ ๋Š” ํ˜„์žฌ ๊ท€ํ•˜์˜ ์–ธ์–ด๋กœ ์ œ๊ณต๋˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค (ํ•œ๊ตญ์–ด)

ๅทฅ่—้ถๅขƒ_็ฌฌไบ”ๅขƒ้ขจๆ ผ่‡บๅ—

ๅœ‹็ซ‹่‡บ็ฃๅทฅ่—็ ”็ฉถ็™ผๅฑ•ไธญๅฟƒ X ๅœ‹็ซ‹่‡บๅ—็”Ÿๆดป็พŽๅญธ้คจ X ่ฅฟๅฑน่จญ่จˆ

ๅคฉไธŠ่–ๆฏ Tian Shang Sheng Mu

#9

ๅคฉไธŠ่–ๆฏ Tian Shang Sheng Mu

่”กๅพทๅคช De-Tai Tsaiv๏ฝœไบบ้–“ๅœ‹ๅฏถ National Living Treasure

่ถŠๅ—ๆชœๆœจ Vietnam Cypress / L104.5 ร— W63.5 ร— H4.5 ใ€ŠๅคฉไธŠ่–ๆฏใ€‹ไปฅๅชฝ็ฅ–ไฟกไปฐ็‚บๆ ธๅฟƒไธป้กŒ๏ผŒไปฅๆœจ้›•็š„ๆตฎ้›•ๅฝขๅผ๏ผŒ่žๅ…ฅๅ‚ณ็ตฑๅปŸๅฎ‡ๅปบ็ฏ‰ๅ…ƒ็ด ๏ผŒ่ฑกๅพตๅชฝ็ฅ–ๅœจ็ฅž้พ•ไธญ็š„่ŽŠๅšดๅฝข่ฑก๏ผŒๅฑ•็พๅฐไฟกไปฐ็š„ๆ•ฌๆ„ใ€‚ๆง‹ๅœ–่จญ่จˆๆจกๆ“ฌ็ฅž้พ•็š„็ตๆง‹๏ผŒไธญๅคฎไฝ็ฝฎๅˆป็•ซๅคฉไธŠ่–ๆฏ็ซฏๅๆ–ผๅฏถๅบง๏ผŒ่ฑกๅพตๅฅนไฝœ็‚บใ€Œๆ…ˆๆ‚ฒๅฎˆ่ญท็ฅžใ€็š„ๅฝข่ฑก๏ผŒๅธถ็ตฆไฟก็œพๅนณๅฎ‰่ˆ‡ๅฟƒ้ˆ็š„ๆ…ฐ่—‰ใ€‚ๅ…ฉไฝ่ญทๆณ•็ฅžๅฐ‡ๆŽกๅ–็ถ“ๅ…ธ็š„ๅฝข่ฑก่กจ็พ๏ผŒไปฅๆŸ”ๅ’Œ็š„ๅงฟๆ…‹ไพ็ซ‹ๆ–ผๅชฝ็ฅ–ๅ…ฉๅด๏ผŒ่ฑกๅพตๅฎˆ่ญท่ˆ‡่ผ”ไฝ็š„่ง’่‰ฒใ€‚ๅ‘จ้‚ŠไปฅๅปŸๅฎ‡ๅปบ็ฏ‰ไธญ็š„็ช—ๆซบใ€ๅธทๅน•ไฝœ็‚บ่ƒŒๆ™ฏ๏ผŒๅขžๆทปๅคๅ…ธ็š„ๆฐ›ๅœ๏ผŒ่ฑกๅพตไฟกไปฐ่ˆ‡ๆ–‡ๅŒ–็š„ๅ‚ณๆ‰ฟใ€‚ไฝœๅ“้‹็”จๅ‚ณ็ตฑๆตฎ้›•ๆŠ€ๆณ•๏ผŒๅฑคๆฌกๅˆ†ๆ˜Ž๏ผŒๅ‘ˆ็พ็ซ‹้ซ”ๆ„Ÿ่ˆ‡็ดฐ่†ฉ็š„ๅทฅ่—ใ€‚็ฅž้พ•้‚Šๆก†่ˆ‡็ช—ๆซบ็š„้›•่Šฑ็ดฐ็ฏ€๏ผŒ้‹็”จไบ†ใ€Œๆทบๆตฎ้›•ใ€ๆŠ€ๆณ•๏ผŒ็ดฐ่†ฉๅ‘ˆ็พๅ‡บๅคๅ…ธๅปบ็ฏ‰ไธญ็š„่ฃ้ฃพ่—่ก“๏ผ›ๅชฝ็ฅ–่ˆ‡่ญทๆณ•็ฅžๅฐ‡็š„ๅงฟๆ…‹ไฝฟ็”จไบ†ใ€Œๅ‰”ๅบ•้›•๏ผ‹ๆทฑๆตฎ้›•ใ€ไพ†ๅผท่ชฟ็ซ‹้ซ”ๆ„Ÿ๏ผŒ่ฎ“ไบบ็‰ฉๆ›ดๅ…ทๅจๅšด่ˆ‡่ŽŠ้‡ใ€‚ This artwork, Tian Shang Sheng Mu, uses the subject of belief of Mazu, using relief carving skills, mix with elements of traditional temples architectures. It symbolizes the solemn image of Mazu in the shrine and shows respect for faith. The composition design simulates the structure of a shrine, with Tian Shang Sheng Mu sitting on a throne in the center, symbolizing her image as the "Patron Saint of Mercy", bringing peace and spiritual comfort to believers. The two guardian gods adopted a classic image, standing on both sides of Mazu in a gentle posture, symbolizing the role of protection and assistance. The surrounding window lattice and curtains in the temple building serve as the background, adding a classical atmosphere and symbolizing the inheritance of faith and culture. The work uses traditional relief techniques, with distinct layers, presenting a three-dimensional feel and delicate craftsmanship. The carving details of the shrine frame and window lattice use the "bas-relief" technique to delicately present the decorative art in classical architecture; the postures of Mazu and the guardian generals use "carving and high relief" to emphasize the three-dimensional effect, making the figures more majestic and solemn.