此展做為「漫活SLOHAS是樂活事」實踐的場域，透過工藝啟動漣漪效應，讓觀覽者漫步生活工藝的日常中，展現「工藝是漫波快樂，生活事」的態度，更深入地感受簡單生活與土地的連結。以「材質」為媒介，探討工藝創作如何透過對物性的理解與實踐，回歸人與自然、物質與精神的共生關係。希望涵蓋臺灣各地特色工藝媒材，探索在各種氣候、民族、文化交融的台灣是如何發展出具有在地特色的工藝傳統，「里山」意指在複雜且多樣的生態環境中衍生的自然規律，追求環保及永續發展，展覽中不僅展示材質本身，更是介紹不同匠師使用的技法、材料、工序去詮釋身處的時空背景，是「材質」與「生命」對話的過程，帶領觀眾試著感受每種材質所承載土地的生命力。 This exhibition serves as a space to practice the concept of SLOHAS: Slow Living is a Joyful Lifestyle. Through the ripple effect of craftsmanship, it invites visitors to slow down and immerse themselves in the everyday beauty of artisanal living. It embodies the belief that “craft is a gentle wave of joy, a way of life,” encouraging a deeper connection to simple living and the natural world. The exhibition uses materials as a medium to explore how craft creation, through the understanding and practice of material properties, reconnects the symbiotic relationship between humans and nature, matter and spirit. It aims to encompass unique craft materials from various regions of Taiwan, investigating how the island—shaped by its diverse climates, ethnicities, and cultures—has developed distinctive local craft traditions. "Satoyama" refers to the natural rhythms that emerge within complex and diverse ecological environments, emphasizing environmental protection and sustainable development. The exhibition not only presents the materials themselves but also showcases the techniques, processes, and tools used by different artisans, interpreting the time and place in which they live and work. It is a dialogue between material and life, inviting the viewers to feel the vitality of the land carried within each material.

Panimula

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