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#4

明顯的油漆色差, 2021 The Obvious Color Difference, 2021

林耕舞 Kengwu Yerlikaya

作品名稱 Title| 明顯的油漆色差, 2021 The Obvious Color Difference, 2021 尺寸 Dimension| digital, 16:9 媒材 Medium| 複合媒材 mixed media 作品介紹 Description| 其實我可以想像,這個家在三十年前,應該談得上是豪宅等級。 客廳有著空曠高挑近三米的設計、一樓的住所、樓中樓還有陽光樓的設定。 父親頗引以為傲,他時常掛在嘴邊說,這種沒有壓迫感的家,很少見。在我聽來卻格外諷刺,但可能也有幾份真實,我也是長大後去了別人家,也待過別的租屋處,才真的體會到挑高的設計確實少見,但家中的壓迫感卻並沒有因此而減少過。 當然,也伴隨著幾個致命的缺點,比方說,很多地方的燈泡其實都壞了,但礙於沒有夠高的梯子,我們時常選擇視而不見不見,將就的過,買更多的檯燈。 或著是從我有記憶以來,家中不同區塊的地方,時常有著非常明顯的油漆色差,卻也從來沒有人提過要去把顏色補齊,像極了那些所有懸而未置的糾結,華人的家庭,與其正視,我們還得先學會自欺欺人,期盼直到哪天有人稍微問起了,還能把事先預備好的謊言用上。 In fact, I can imagine that 30 years ago this house would be considered a luxury house. The living room has a spacious design nearly three meters high, ground floor, with the setting of maisonette and a glass sunshine hut. Father is quite proud about it. He often bragged about this kind of house without a sense of oppression in space, which is rare. It sounds very ironic to me, but it may also be somewhat true. After I went to others and when I grew up and stayed in other rental flats. Only then did I realize that the design of high ceilings is indeed rare. Nonetheless, the sense of oppression in the family has not been reduced by it. Of course, it is accompanied by several fatal shortcomings as well. For example, the light bulbs in many places are actually broken, but because there are no high enough ladders, we often choose to turn a blind eye, just pass it, and buy more desk lamps. Or maybe, since I can remember, there are often some very obvious paint colour differences in different areas of the house, but no one has ever mentioned if we should fill up the colours, just like all the hanging peeve. Han-Chinese families, instead of facing up to the issue, we learn how to deceive ourselves first, and look forward to it until one day when someone asks a little bit, and then we can still fill up the pre-prepared lies.