2022
複合媒材聲音裝置
15分10秒
來自美國，移居台灣近兩年的Daniel Ditlevson，大部分創作皆從聲音出發，透過不同物件發出的聲響搭配與即興演出，帶給觀眾層次多元的聆聽體驗。
這次展出Daniel先是從展覽主軸關於織品、消費、循環的關注出發，再透過自身對聲響創作的熟悉，提出了包含在地探訪、聲響編輯、織品裝置等複合元素的互動欣賞體驗。他造訪了進行藍染教學的大湖國小、北投的布莊、裁縫店、服飾店、洗衣店等和織品相關的店家，錄下相關從業者對工作的描述以及工作中的各種聲響，重新編輯成一件聲響作品。
同時與 REHOW如禾永續文創合作，用試車布與回收布料製作現場的吸音裝置，除了聲音的聽覺和織品裝置的視覺，觀眾還可以透過踏板操作現場擺放的縫紉機，用縫紉機發出的聲音和作品互動。這些聆聽體驗讓我們想像在地街坊生活的一種樣貌，在聽的過程疊合不同感官的刺激，讓每個觀眾的回應都成為創作呈現的一部分。
Interlaced
2022
Multi-media sound installation
15’00”
The majority of works by American artist Daniel Ditlevson, who has resided in Taiwan for the past two years, begin with sound. A multilayered auditory experience is created for the audience through improvisation and the grouping of sounds emitted by different objects. In the current exhibition, By applying his familiarity with sound creations, Daniel has taken the main thrust of the exhibition regarding textiles, consumerism, and circulation as a point of departure, then proposed an experience of interaction between composite elements such as local exploration, sound editing, and textile installations. He visited various spaces relevant to textiles, including Dahu Elementary School which conducts indigo dyeing workshops, a fabric shop in Beitou, a tailor, a clothing and accessories shop, and a laundromat; and made recordings of various practitioners as they describe their work, as well as of various environmental sounds in their workplaces. He has also collaborated with the Kaulin Foundation REHOW Studio to create a sound absorbing installation onsite using test fabric and recycled textiles. In addition to the auditory sense of sound and the visual sense of the textile installation, the audience can also use a pedal operated sewing machine that has been placed at the site to create sounds in interaction with the work. These auditory experiences allow us to imagine a certain way of life in the neighborhood. The layering of various sensory stimuli in the auditory process allows each audience response to become a part of the creative presentation.
