洪瑞良以創新實驗性為核心，在3D列印技術中開創出個人化的創作之路。他從2011 年開始研究3D列印，至2014年完成第一個完整作品《The Beast 系列 仿生野獸》， 歷時三年反覆實驗與突破技術門檻。他提到，當時最大的挑戰是缺乏相關資源與知識，僅僅是製作能被列印機接受的STL檔案格式，就已耗費大量精力;此外，從石膏 粉末列印轉化為金屬材質，需經過鑄造、變形調整與研磨等繁複工序，讓每一步都 充滿技術難關。
洪瑞良表示，這段過程不僅讓他熟悉多樣化的3D列印技術，也奠定了他的數位工法定位。他強調，數位技術的引入縮短了手作技藝的學習曲線，讓他能在短時間內完 成高難度的創作，並介入各行各業的不同需求，成功打造出靈活、高效的創作模式。
Hung Jui-Liang focuses on creative experiments and has carved out his own path in 3D printing. He started exploring this technology in 2011 and, after three years of trial and error, completed his first major work, “The Beast Series”, in 2014. One of his biggest challenges was the lack of resources and knowledge at the time. Even creating an STL file that the 3D printer could read took a lot of effort. Transforming gypsum powder prints into metal works was even harder, involving complex steps like casting, reshaping, and polishing, with each step bringing its own difficulties.
Hung Jui-Liang shared that this journey not only helped him learn different 3D printing techniques but also shaped his expertise in digital craftsmanship. Digital technology has made his learning about the tradition much faster, allowing him to create complex works in less time. This also enabled him to meet the needs of various industries, building a creative process that is both flexible and efficient.
洪瑞良 Hung Jui-Liang
洪瑞良自幼對藝術懷抱濃厚的熱忱，並專注於工程藝術(Engineering Art)的領域。2011年，他創立了雷神藝術工作室(Perkūnas Studio)，以結合3D列印與工程技術的方式，專注於金屬鑄造作品的創作。其作品 風格獨樹一幟，常以當代與野獸為主題，透過金屬打造的「仿生獸」表現自然與生命間的深刻聯繫。
《The Beast 》系列作品中的仿生系列不僅展現了他對自然形態的精準觀察，更進一步融入機芯技術，賦予 作品動態生命感的同時，也引發對機械與生物之間界線的思考。他透過這些作品，叩問當代社會對自動化的 追求，探索人類、自然與科技三者之間的複雜關係。
Hung Jui-Liang has had a strong passion for art since childhood, focusing on the field of Engineering Art. In 2011, he founded Perkūnas Studio to combine 3D printing and engineering techniques, concentrating on the creation of metal casting works. His distinctive artistic style often revolves around contemporary themes and beasts, using metal-crafted "bionic creatures" to convey the profound connection between nature and life.
The Beast series in his works not only demonstrates his precise observation of natural forms, but also incorporates mechanical technology, giving the pieces a sense of dynamic while provoking thoughts on the boundaries between machinery and living creatures. Through these works, he questions contemporary society's pursuit of automation and explores the complex relationship between humanity, nature, and technology.
