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#25

神間情 - Mylov

顏詩瑜, 高毓均 - Yan,Shih-Yu, Kao,Yu-Chun

神話中愛情故事如同我們的生活般,充滿著悲劇、浪漫和戲劇性。但隨著人們價值觀的轉變,我們與神話的聯繫越來越薄弱。 神間情分別創作了三種不同的愛情面向,分別為具戲劇張力的希臘冥界之戀:黑帝斯與波瑟芬妮;納希瑟斯則呈現了希臘自戀之神的悲劇性愛情,帶有一絲哀愁;而印度神話中普爾拉巴斯與烏爾瓦斯的約定則展現了浪漫的印度風情,充滿著色彩繽紛的愛情情節。 每篇神話故事皆分為五個段落,將部分情節轉化為飾品,電繡材質精確地描繪人物和場景的細節。透過飾品可配戴的特性使身體成為行動舞台,製造更多話題性,使神話更貼近人們生活文化。 - Mythological love stories, like our lives, are full of tragedy, romance and drama. However, as people's values change, our connection with myths becomes weaker and weaker. Three different kinds of love orientations are created, namely, the dramatic Greek underworld love: Hades and Persephone; Narcissus presents the tragic love of the Greek god of narcissism with a touch of sadness; and the Indian myth of the engagement between Urvashi and Pururavas shows the romantic Indian style, full of colorful love situations. Each mythological tale is divided into five segments, with parts of the story transformed into accessories, and the details of the characters and scenes accurately depicted in electric embroidery material. The wearable nature of the jewelry allows the body to become a stage for action, creating more conversation and bringing the myths closer to people's lives and culture.